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Holy Car Auction Batman! Original Batmobile Fetches High Price

Cody "The Thorverine" Ferrell — Sun, 20 Jan 2013 04:55:25 +0000

The original Batmobile from the 1960s Adam West series sold just a little while ago at the Barrett-Jackson Scottsdale Auction. The car was the first one built by the legendary George Barris out of a Lincoln Futura. It had been on display in Hollywood for a while, but Barris finally decided to part ways with his creation. The decision came down to a coin flip according to Barris.

The car has been the talk of the auction world this week as some experts predicted the ride would go for a few million dollars. When the gavel finally landed, the car sold for an astounding $4.2 million.The car was brought out and followed by what can only be described as a mob trying to get close to the famous auto. Bidding hit a million as soon as it started, with the action going on for several minutes. George Barris was on hand to help entice bidders as well. Before the final bid was placed Barris took the Batman jacket off of his back and offered it to the winning bidder as an added incentive. The man who won the auction was Rick Champagne from Arizona. He said he would put the Batmobile in his living room and display it proudly.

The winner, his lady friend, and George Barris posed with the car shortly after the auction ended (via Barrett On Speed’s Twitter page). The Speed channel also posted a video chat with Barris about the famous car earlier today. Check out pictures from the auction and the video below. I was watching on TV and the whole thing was a pretty amazing sight. What do you think? Is the Batmobile worth $4.2 million to you?

Cody "The Thorverine" Ferrell, Holy Car Auction Batman! Original Batmobile Fetches High Price

Indie Spotlight: Yumi Sakugawa

Muy Mareado! — Fri, 18 Jan 2013 15:00:11 +0000

Welcome to Indie Spotlight! The independent scene is filled with many writers and artists alike and we here at Comic Book Therapy wanted to explore and reach reach out to these talented people to have the opportunity to learn about their works. For our first edition we present to you Yumi Sakugawa!

I am Yumi Sakugawa and I am a comic book artist and illustrator based in the Southern California. I am a regular comic / illustrator online contributor to Sadie Magazine and Wonderhowto.

Most recently, my comic zine “Mundane Fortunes for the Next Ten Billion Years and Other Stories” was selected as Notable Comics of 2012 by the Best American Comics anthology editors.

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Comic Book Therapy – Thank you very much for taking the time out to do this interview. How have you been doing?

Yumi Sakugawa – It is my pleasure! I’m finally fully recovered from a week-long cold so right now I am feeling pretty amazing.

CBT – You’re a self published comic book artist. How did you start?

Yumi – After I graduated from UCLA, I spent a year teaching English in Japan… because that’s what you do when you have just graduated from college with an art major and you have no idea what you’re going to do with yourself. During that time, a fellow English-teaching American artist friend and I spontaneously decided to sign up for a small booth at the bi-annual Tokyo Design Festa, a giant arts and craft convention that happens in Tokyo every May and November. I didn’t have any art on hand and I definitely did not want to show up as a first-time exhibitor empty-handed–so I furiously whipped up my first self-published 30-page comic zine “Milk and Moo” just in time for the event. Note to new artists, there is nothing like a convention deadline to really force yourself to kick your own butt to get something done.

This was back in 2008, and I had no idea that a zine culture even existed. When I moved back to Los Angeles, I made serendipitous connections with fellow artists in 2010 who introduced me to the zine scene and really got me hooked to showing comic zines at zine conventions.

CBT – What projects have you completed? Currently working on?

Yumi – I’ve self-published about eight comic zines in the last four years, ranging from illustrated guides on meditation to short comic story collections. My most recent self-published comic zine was a 50-page autobiographical diary comic of my travels in Paris and Rome.

Things I’m currently working on? I’ll definitely be releasing more self-published comics about meditation and mindfulness (people seem to really like those), and more short comic story collections. And since the world always needs more self-love and creative inspiration, I’m thinking of releasing a comic zine that deals specifically with self-love and staying inspired as an artist.

I’m also working on a longer fictional comic project right now, longer than anything I have ever made. It’s kind of a secret so either a lot of people will get to read it once it’s done or I won’t finish it and no one will ever know about it. Hopefully it will be the former and not the latter.

CBT – How long have you been in the art world? What inspired you to pick up the pencil/pen and create?

Yumi – I honestly don’t know what counts as being in the art world! I was in my first group art show in 2008 that wasn’t an art school student campus gallery show, so maybe since then? As for what inspired me to pick up the pencil / pen and create, I’ve always been drawing and doodling since I was a small kid, and drawing is the perfect medium to express yourself when you’re a really painfully shy kid and you’re trrified of talking to people.

CBT – As an artist, conventions and other means of showcasing are pretty important to promote your work. Have you attended conventions?

Yumi – Yes! I’ve attended maybe 6 different comic and zine conventions in the last few years and I really love the convention scene. For 2013, I’m really excited that I will be tabling away from the West Coast for the first time ever–at the Brooklyn Zine Fest in April and at the Toronto Comics and Arts Festival in May. Come visit my table if you think you’ll be going to either of those events!

I always make the coolest new friends and discover amazing new artists at every convention event. Seriously, I feel like there is a significantly lower percentage of douchey, pretentious creative types in the zine scene compared to other creative scenes or maybe I have just been really lucky with the people I’ve met. That, and I love having the opportunity to share my work with new people and connect in real-time with people who have seen my work previously on the internet or elsewhere.

If you are just starting out as a comic book artist, then I really recommend signing up for a table or a booth at a comic convention. Even if you don’t sell that many comics in the beginning, you get so much from the whole experience.

CBT – What is your best Convention memory?

Yumi – I think my best convention memory is the first comic and zine convention I’ve ever attended in 2010. I was crammed in one car with three other zine friends and left at 3 in the morning from Los Angeles to arrive just in time in Sacramento at around 10 A.M. to table at Indy Euphoria. I was only there for one day and I hitched a ride back to Los Angeles with another friend that same night. That convention memory is particularly special to me because that was the first time I had the chance to meet Dylan Williams, the late founder of Sparkplug Comic Books. It was at the convention when he actually bought copies of my first comic zine from me to distribute through Sparkplug and as a total newbie, I was so blown away by the possibility that complete strangers would really take a genuine interest in reading my comics. I feel so fortunate to have met him at that time and one more time before his unfortunate passing in 2011.

CBT – Things can be a bit difficult getting into the comic business. What encourages you to continue?

Yumi – I honestly don’t think much about the difficulty of getting into the comic business. Not because I naively think it won’t be difficult for me or anything like that, more so because I’m much more preoccupied on a narcissistic, mundane level with the daily difficulty of motivating myself every single day to find the time and the inspiration to move forward with my comic projects, regardless of busyness or creative blocks.

What keeps me going? Fan mail from an eleven-year-old girl. Complete strangers from countries I’ve never visited ordering my zines online. Seeing my self-published comics on display in my favorite independent bookstores. Kind messages from strangers. The painstakingly slow progress I make as an artist with every new project I finish. Being held accountable to my inner eleven-year-old who always dreamed of becoming a cartoonist.

CBT – Have you done work for other publishers?

Yumi – I’m actually working on something with another comic publisher. I can’t disclose too much information for the moment and more details will be revealed later in 2013. Stay tuned!

CBT – What do you enjoy most about doing comics?

Yumi – I think comics is the best creative medium for me to fully and honestly express myself as an artist and as a human being. Growing up, I was always torn between wanting to become a writer and wanting to become an artist; thankfully with comics, you can do both things at the same time.

CBT – With the year of rebirths and reboots, do you feel it contributes well to the comic business or takes the interest away from longtime readers?

Yumi – I’m the worst person to ask this question. I haven’t actually read any rebirth or reboot comic storylines.

CBT – Who is your favorite comic book artist? Favorite title or series that features his/her art?

Yumi – What a difficult question! I have many favorite comic book artists that changes with what I am interested in at the moment, but I always find myself revisiting again and again “Skim” illustrated by Jillian Tamaki and written by Mariko Tamaki. Coming-of-age stories with interesting female teenage protagonists are my personal catnip.

CBT – What comic book character would you find easy to relate to?

Yumi – This is a Japanese manga character, but I can relate too well with Maruko from the shoujo manga series “Chibi Maruko-Chan.” She’s lazy and disorganized, and prone to retreating to her own imaginary world a lot, just like me. (I can’t relate, however, to her immense dislike of nattou)

As for an American comic book character, this may be an extreme cliche answer but I think Charlie Brown and I would have had a lot of great coffee hang-outs. I was a pretty melancholy kid prone to over-nostalgizing my own childhood experiences in my head as they were happening in real time.

CBT – What would you consider your greatest piece to date?

Yumi – I don’t know if this would be my greatest, but I will always have a huge fondness for my first self-published comic story “Milk and Moo.” There is a wonderful magic that comes out of having no idea what you’re doing but somehow getting it done anyway.

CBT – For those who want to have a start in illustration, what advice would you share with them?

Yumi – Give the world as many opportunities as possible to see your artwork. Have a regularly updated art blog. Show your work at shows. Exhibit at conventions. Meet other artists. Make friends with artists whose skills and work ethic intimidate the shit out of you. Being an artist can be a lonely business, so find a community of artists you can join or make your own community. Find excuses to get your illustration out there, whether it’s volunteering to illustrate for a someone’s music event flyer or challenging yourself to publishing a weekly web comic with a friend.

In the beginning, all of this may seem like shooting darts in the dark. It is all worth it for the momentum that you create for yourself that will carry you over to your next great opportunity.

CBT – Thank you very much! Is there anything you’d like for us to be on the lookout for?

Yumi – Since so many people have asked about this, I will be releasing a limited artist booklet print of my emo-comic “I Think I Am In Friend-Love with You” sometime this month (January). If you are looking for the perfect not-so-subtle gift to give to your friend-crush for Valentine’s Day, this is it.

>Click Images for Bigger Versions<

Check out the sites below to see more of Yumi’s work and updates on her projects!

Bigcartel: yumisakugawa

Facebook: www.facebook.com/yumiverse

Flickr: yumisakugawa

Twitter: @yumisakugawa

Tumblr sketch blog: acrosstheyumiverse

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Hey writers and artists!! As the continuing interest in independent works grows, we want to reach out to the indie community and highlight those who dedicate their time and effort to a passion for their work. Tell us YOUR story! If you know someone that you would like to be featured in this section let us know!

To be featured in Indie Spotlight, please complete the following steps:

Contact us at: dezdewberry@comicbooktherapy.com (Please put “Indie Spotlight” in the subject line)
Provide a short bio and 5-10 pictures if you’re an artist
Sit down, relax and get ready to be contacted back!

Muy Mareado!, Indie Spotlight: Yumi Sakugawa

Top 8 Vehicles of Television

Josh "ecksmanfan" Johnson — Thu, 17 Jan 2013 06:07:26 +0000

There have been many teams and duos throughout television history and many of the significant ones have had a top notch vehicle to get them where they need to be and at times, act as a safe haven for their owners. Some, however, were just there to make them look good and that’s it. Often times, these vehicles are more recognizable than the people that drove them, especially if you’re David Hasselhoff outside of Germany (why do they love him so much?!). So, I thought it time we give these stand-out vehicles a nod and place them on the pedestal they deserve to be on.

Now, I understand this isn’t the most geeky thing to be highlighting, but when I’m not slaving away for the militant owner of this site, I’m slobbering and drooling over vehicles that I wish to someday own. Not to mention, some of these vehicles have graced the pages of our beloved comics in the past. As with many of the lists you’ll see me post, these are in no particular order. How do you put a level of awesomeness on these things, really?

A-Team G15 Van
1983 GMC Vandura
Van/Minibus
5.2 Liter V-8
When you think of a group of bad-asses, the A-Team should be at the top of your list. If it isn’t, please leave your man-card on the table as you escort yourself out of the building. This team, which consisted of H.M. Murdock, B.A. Baracas, Hannibal Smith and Templeton “Faceman” Peck, used this van for many things, anything from an every day vehicle to a battering ram to a full-on assault vehicle. But no matter what, this beast made it through everything. The van was revived for Joe Carnahan’s film adaptation and fans couldn’t help but giggle a little bit when the van made its appearance.

Supernatural “Baby”
1967 Chevy Impala
Sedan
V8 427 4 Barrel
While my opinion of Supernatural has changed over the years, one thing that remains the same is my love for this classic American car. This vehicle makes me happy in ways an inanimate object should. The sound of the metal doors creaking as they open and close, the rumble of the exhaust and the simplistic back paint, what’s not to love? At the end of season five, Chuck sums things up nicely by calling the Impala “the most important object in the universe.” The classic rock soundtrack that is always present on the show never hurts either. This is a classic car for a pair of brothers that do what “Murica” does best: kick ass!

Starsky & Hutch Torino
1975-1976 Ford Gran Torino
Coupe
351 Windsor V-8 4 Barrel
The paint job is just as iconic as the car itself. When one sees this classic look on a car, only one show (or movie for the younger crowd) comes to mind: Starsky & Hutch. While the car may not have been the biggest and baddest muscle car ever made, you wouldn’t know by looking back at the series. Originally, a Chevy Camaro was to be the car of choice, as show creator William Blinn fondly remembered his convertible he owned. But being that the leasing program was through Ford, they opted for a Ford Gran Torino, which featured the famed 351 Windsor V8 engine and the now iconic red and white paint theme. The rest, as they say, is history. Talk about a good move!

Classic Batmobile
1955 Lincoln Futura Concept
Modified
351 V8
You didn’t think I’d make a list like this and not include this car, right? Despite it being over 50 years old, this car is still considered to be among the top Batman vehicles ever, movies, TV or comics; not to mention of any famous vehicles…ever. Hence its inclusion here. The car cost a whopping $125,000, which doesn’t sound like much for a fully custom vehicle, but if you factor in inflation, you’d be looking at a vehicle with a value of about $2 million today. Everything about this car is custom made, including the “bing bong” warning bell and the sender/receiver computer in the trunk.

Dukes of Hazzard General Lee
1969 Dodge Charger
Coupe
318, 383, & 440 CID V8 big block (Varied depending on use)
When I was a kid, nothing impressed me more than seeing Bo and Luke Duke racing to the General Lee, sliding across the hood and climbing through the window to head off on a back-country, high speed chase. I wanted to be a Duke more than anything. To this day, whenever I see an old Charger, I can’t help but smile. Fun fact: anywhere from 250 to 300 Dodge Chargers were used- and wrecked- during the taping of The Dukes of Hazzard. They often times would recycle parts to fix some of the cars up to reuse them. Even more cop cars were damaged during film. Sadly, whenever this car makes appearances now, the Confederate flag that is featured on the roof will no longer be used.

Green Hornet Black Beauty
1966 Chrysler Crown Imperial
Sedan
440-C.I. V8
You want to talk assault vehicle? The Chrysler Imperial that was used for Black Beauty not only had a drastically modified exterior, but the gizmos and weapons that were included make the Batmobile look like a Barbie Power Wheel. The car was able to launch rockets via tubes below the headlights, a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grill, and the capabilities to launch a video surveillance device- or scanner- from a hidden compartment. Just to name a few things. The car featured a one-of-a-kind paint job that included 30 layers of black paint. For the 2011 remake, the car kept to the same concept, but upped the ante and was easily the highlight of the film.

Knight Rider KITT
1982 Pontiac Trans Am
Coupe
5.0L V8
Before David Hasselhoff was running around in little red shorts, he was behind the wheel of this super smart, ultra computerized Trans Am. KITT, which stands for Knight Industries Two Thousand), has literally dozens of high-tech upgrades: turbo boost, Etymotic Equalizer (he could hear), Olfactory Sensor (he could smell), Silent Mode, Oil Jets/Smoke Screen, Flame Thrower and Ultramagnesium Charges. That list could go on for some time, but I’ll hold off on the awesomeness. Take all that and drop it into one of the most iconic cars of the 80′s (it’s still quite popular among folks with a mullet and have a hankerin’ for pork rinds) and you have yourself a pretty bad-ass whip.

Magnum, PI Ferrari
1977 Ferrari 308 GTS
Targa Coupe
2.9 L FI V8
When you mention the classic series Magnum, PI, most people will remember Tom Selleck’s luscious push-broom mustache or his ridiculously short shorts. But not me. What I remember most is that bright red, targa-topped Ferrari 308, a car that some enthusiasts to be among the most beautiful cars that the Italian automaker has ever produced. I couldn’t agree more. This care was able to bring down the fastest of getaway cars and looked damn good doing it. This thing is about 14 levels of pure awesomeness.

I have to list a few honorable mentions, as they are just too cool to leave off, so I have to at least give them a bit of love:
19986 Ferrari Testarossas from Miami Vice
1976 Austin Mini from Mr. Bean
1980 GMC Pick-up from The Fall Guy
Th Munster Koach from The Munsters
The Mystery Machine from Scooby Doo

What are your favorite cars from television? I know there are some that I missed, but the important ones are here and I’d be more than happy to take anyone of these home. Now if I only had someone to buy them for me…

Josh "ecksmanfan" Johnson, Top 8 Vehicles of Television

Thomas Jane Deals Out Punishment In Dirty Laundry: An Independent Punisher Film

Cody "The Thorverine" Ferrell — Mon, 16 Jul 2012 16:55:39 +0000

During the Thor and Captain America panel at Comic Con, Marvel Studios confirmed that they had gained back the rights to The Punisher. Later, they also confirmed that they had both Punisher and Blade back and were interested in bringing them back to the silver screen. Don’t get too excited just yet, there has been no new developments and Marvel had no official plans for either franchise.

While there isn’t anything official, The Punisher has returned in a new live-action (unofficial) short starring Thomas Jane. On Saturday, Thomas Jane had a panel about his upcoming comic with Tim Bradstreet. He surprised everyone by announcing the short film with Ron Perlman. It’s called Dirty Laundry, and you can check it out below!

Cody "The Thorverine" Ferrell, Thomas Jane Deals Out Punishment In Dirty Laundry: An Independent Punisher Film