Young Avengers debuts featuring a new team. The crew includes Wiccan, Hulkling, Hawkeye, Loki, Marvel Boy, and Ms. America. Kieron Gillen writes the series and Jamie McKelvie and Mike Norton provide art.

Also kicking off is a new Deadpool miniseries that follows hot on the heels of Deadpool Kills the Marvel Universe. Cullen Bunn returns to guide Deadpool in his journey to destroy all of fictions most popular characters. First up- Moby Dick! The series features art by Matteo Lolli and Sean Parsons. Check out the solicit info and preview pages below!

Legacy isn’t a dirty word… but it’s an irrelevant one. It’s not important what our parents did. It matters what WE do. Someone has to save the world. You’re someone. Do the math. The critically acclaimed team of Gillen/McKelvie/Wilson (with added Norton Sauce) decide to reinvent the teen superhero comic for the 21st century, uniting Wiccan, Hulkling and Hawkeye with Loki, Marvel Boy and Ms. America. No pressure. Young Avengers is as NOW! as the air in your lungs, and twice as vital. It’s the book that knows Hyperbole is the BEST! THING! EVER!

• Deadpool has already killed every hero in the Marvel Universe.

• He isn’t through.

• This time…Deadpool’s gonna take most famous characters in classic literature!

• YOU NEVER KNEW HOW BADLY YOU NEEDED THIS SERIES!

Cody "The Thorverine" Ferrell, MARVEL-ous Previews: Young Avengers #1 And Deadpool Killustrated #1

If you read Frank Cho’s Dynamite book Jungle Girl, you already have an idea of what to expect here.  It takes place in the Savage Land, and all hell breaks lose rather fast.  Cho hasn’t hidden his love of Shanna the She-Devil, and it shows in his writing.  She gets some good dialogue compared to the other characters in this book. Granted, most of her dialogue is explaining the trip that the reader just saw themselves.  Savage Wolverine #1 isn’t written well, but it shows a lot of potential.  It could be a fun and outlandish book.  Cho misses a great opportunity for humor, instead going for straight seriousness.  The recent Avenging Spider-Man arc in the Savage Land used the absurdity of the land rather well.  Wolverine can’t stay in the Savage Land forever, so Shanna will have to make a trip to the Jean Grey School sooner or later, which is a situation ripe with humor.

Wolverine doesn’t fare well in this issue.  It’s clear from the start that Cho wanted this book to be a Shanna ongoing, but Marvel thought it wouldn’t sell. So Cho threw Wolverine into it so that it would sell.  He barely speaks, and narrates every little thing he does.  The reader doesn’t need to be told he just killed someone when we saw the head flying across the panel.  The narrations go away once Wolverine bumps into Shanna, which betters the issue.  If the next few issues have the same problems, maybe Marvel should bring a cowriter aboard for a while.  Help Cho get his ideas out more effectively.  If I had any control over the books Marvel published, they would have turned this into a Shanna book instead.  Wolverine has enough books, and Marvel has been succeeding recently with B and C lister books.  If the book is good, it will sell.  Also, this would be a MAX book.  Cho could pencil the nudity that he terribly wants to pencil.

At this point in Frank Cho’s career, everyone knows what to expect from his books.  Lots of dinosaurs, cavemen, and scantly clad women.  Every other shot of Shanna has her standing in a provocative position with her boobs almost hanging out.  With the story being serious in nature, the amount of boobs sticks out that much more (no pun intended).  If Savage Wolverine had been more lighthearted and over the top, the boobs would have felt natural (I seriously didn’t mean that pun either).  Savage Wolverine is one great looking comic though. Every character is very expressive and detailed, and the lush jungles are beautiful.  The contrast of wide screen panels and small panels is used well to convey the fighting.  Cho’s amazing art is going to be the big draw on this book for some time.

Savage Wolverine is going to be a bubble book for some time.  If the writing can improve, and the tone can shift a little bit, we have ourselves a great book.  But if not, we have a dud.

Savage Wolverine #1 gets 3/5.

MrComicBook, Review: Savage Wolverine #1

Now, I understand this isn’t the most geeky thing to be highlighting, but when I’m not slaving away for the militant owner of this site, I’m slobbering and drooling over vehicles that I wish to someday own. Not to mention, some of these vehicles have graced the pages of our beloved comics in the past. As with many of the lists you’ll see me post, these are in no particular order. How do you put a level of awesomeness on these things, really?

A-Team G15 Van
1983 GMC Vandura
Van/Minibus
5.2 Liter V-8
When you think of a group of bad-asses, the A-Team should be at the top of your list. If it isn’t, please leave your man-card on the table as you escort yourself out of the building. This team, which consisted of H.M. Murdock, B.A. Baracas, Hannibal Smith and Templeton “Faceman” Peck, used this van for many things, anything from an every day vehicle to a battering ram to a  full-on assault vehicle. But no matter what, this beast made it through everything. The van was revived for Joe Carnahan’s film adaptation and fans couldn’t help but giggle a little bit when the van made its appearance.

Supernatural “Baby”
1967 Chevy Impala
Sedan
V8 427 4 Barrel
While my opinion of Supernatural  has changed over the years, one thing that remains the same is my love for this classic American car. This vehicle makes me happy in ways an inanimate object should. The sound of the metal doors creaking as they open and close, the rumble of the exhaust and the simplistic back paint, what’s not to love? At the end of season five, Chuck sums things up nicely by  calling the Impala “the most important object in the universe.” The classic rock soundtrack that is always present on the show never hurts either. This is a classic car for a pair of brothers that do what “Murica” does best: kick ass!

Starsky & Hutch Torino
1975-1976 Ford Gran Torino
Coupe
351 Windsor V-8 4 Barrel
The paint job is just as iconic as the car itself. When one sees this classic look on a car, only one show (or movie for the younger crowd) comes to mind: Starsky & Hutch. While the car may not have been the biggest and baddest muscle car ever made, you wouldn’t know by looking back at the series. Originally, a Chevy Camaro was to be the car of choice, as show creator William Blinn fondly remembered his convertible he owned. But being that the leasing program was through Ford, they opted for a Ford Gran Torino, which featured the famed 351 Windsor V8 engine and the now iconic red and white paint theme. The rest, as they say, is history. Talk about a good move!

Classic Batmobile
1955 Lincoln Futura Concept
Modified
351 V8
You didn’t think I’d make a list like this and not include this car, right? Despite it being over 50 years old, this car is still considered to be among the top Batman vehicles ever, movies, TV or comics; not to mention of any famous vehicles…ever. Hence its inclusion here. The car cost a whopping $125,000, which doesn’t sound like much for a fully custom vehicle, but if you factor in inflation, you’d be looking at a vehicle with a value of about $2 million today. Everything about this car is custom made, including the “bing bong” warning bell and the sender/receiver computer in the trunk.

Dukes of Hazzard General Lee
1969 Dodge Charger
Coupe
318, 383, & 440 CID V8 big block (Varied depending on use)
When I was a kid, nothing impressed me more than seeing Bo and Luke Duke racing to the General Lee, sliding across the hood and climbing through the window to head off on a back-country, high speed chase. I wanted to be a Duke more than anything. To this day, whenever I see an old Charger, I can’t help but smile. Fun fact: anywhere from 250 to 300 Dodge Chargers were used- and wrecked- during the taping of The Dukes of Hazzard. They often times would recycle parts to fix some of the cars up to reuse them. Even more cop cars were damaged during film. Sadly, whenever this car makes appearances now, the Confederate flag that is featured on the roof will no longer be used.

Green Hornet Black Beauty
1966 Chrysler Crown Imperial
Sedan
440-C.I. V8
You want to talk assault vehicle? The Chrysler Imperial that was used for Black Beauty not only had a drastically modified exterior, but the gizmos and weapons that were included make the Batmobile look like a Barbie Power Wheel. The car was able to launch rockets via tubes below the headlights, a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grill, and the capabilities to launch a video surveillance device- or scanner- from a hidden compartment. Just to name a few things. The car featured a one-of-a-kind paint job that included 30 layers of black paint. For the 2011 remake, the car kept to the same concept, but upped the ante and was easily the highlight of the film.

Knight Rider KITT
1982 Pontiac Trans Am
Coupe
5.0L V8
Before David Hasselhoff was running around in little red shorts, he was behind the wheel of this super smart, ultra computerized Trans Am. KITT, which stands for Knight Industries Two Thousand), has literally dozens of high-tech upgrades: turbo boost, Etymotic Equalizer (he could hear), Olfactory Sensor (he could smell), Silent Mode, Oil Jets/Smoke Screen, Flame Thrower and Ultramagnesium Charges. That list could go on for some time, but I’ll hold off on the awesomeness. Take all that and drop it into one of the most iconic cars of the 80′s (it’s still quite popular among folks with a mullet and have a hankerin’ for pork rinds) and you have yourself a pretty bad-ass whip.

Magnum, PI Ferrari
1977 Ferrari 308 GTS
Targa Coupe
2.9 L FI V8
When you mention the classic series Magnum, PI, most people will remember Tom Selleck’s luscious push-broom mustache or his ridiculously short shorts. But not me. What I remember most is that bright red, targa-topped Ferrari 308, a car that some enthusiasts to be among the most beautiful cars that the Italian automaker has ever produced. I couldn’t agree more. This care was able to bring down the fastest of getaway cars and looked damn good doing it. This thing is about 14 levels of pure awesomeness.

I have to list a few honorable mentions, as they are just too cool to leave off, so I have to at least give them a bit of love:
19986 Ferrari Testarossas from Miami Vice
1976 Austin Mini from Mr. Bean
1980 GMC Pick-up from The Fall Guy
Th Munster Koach from The Munsters
The Mystery Machine from Scooby Doo

What are your favorite cars from television? I know there are some that I missed, but the important ones are here and I’d be more than happy to take anyone of these home. Now if I only had someone to buy them for me…

Josh "ecksmanfan" Johnson, Top 8 Vehicles of Television

SUNDAY, OCTOBER 14 AT 9PM ET/ 6PM PT

DISH Customers Who Are Being Denied Access to Their Favorite
Scripted Drama Series* Can Register for the Free Live Stream at http://www.amctv.com/thewalkingdead4dish/

New York, NY, September 28, 2012 – In response to DISH taking away its customers’ favorite scripted drama series on basic cable* – The Walking Dead – AMC is offering all DISH subscribers a special live stream of the hit show’s season three premiere episode on Sunday, October 14, at 9PM ET/6PM PT on amctv.com. This streaming event will run concurrently with the television debut so DISH subscribers who are fans of the series can experience this highly-anticipated premiere at the same time it’s available to all other cable and satellite subscribers.

Beginning Friday, September 28 at 9 AM ET, DISH subscribers can register for access to the free live stream of “The Walking Dead” at http://www.amctv.com/thewalkingdead4dish/.

AMC stated: “To gain leverage in an unrelated lawsuit, DISH has decided to deny their customers access to AMC shows including ‘The Walking Dead,’ the series that has shattered basic cable ratings records. Although ‘The Walking Dead’ is the #1 basic cable scripted drama for DISH customers, DISH has stated it has no plans to bring back AMC. DISH customers who want to watch the entire season at the same time as the rest of the country should switch television providers now…time is running out.”

DISH dropped AMC, as well as its sister networks, IFC, WE tv and Sundance Channel to gain leverage in an unrelated lawsuit. DISH customers may find information on how to switch providers at www.switchfromdish.com.

“The Walking Dead,” hailed by Entertainment Weekly as the “greatest thriller ever produced for television” follows Rick Grimes (Andrew Lincoln) and his band of survivors who must not only fight the dead, but also face a whole new fear: the living. Season three of “The Walking Dead” will air in two-parts with the first eight hours kicking off October 14 and the final episodes returning beginning February 2013.

Based on the comic book series written by Robert Kirkman and published by Image Comics,
“The Walking Dead” stars Lincoln, Sarah Wayne Callies, Laurie Holden, Steven Yeun, Norman Reedus, Chandler Riggs, Lauren Cohan, Scott Wilson, IronE Singleton, and Melissa McBride.
Joining the cast for season three are David Morrissey and Danai Gurira along with her zombie pets.

The series is executive produced by show runner Glen Mazzara, Kirkman, Gale Anne Hurd and David Alpert with Greg Nicotero, Denise Huth and Evan Reilly as co-executive producers.

The season premiere of “The Walking Dead” will be complemented by a wealth of exclusive content at www.amctv.com. Fans can check out “Inside The Walking Dead” videos, episode sneak peeks, “Talked About Scenes,” “Talking Dead” bonus scenes, production diary interviews with the cast and crew, production photo galleries, fan trivia and new behind-the scenes videos from the set in Atlanta.

The season premiere of “The Walking Dead,” coincides with AMC’s annual blockbuster marathon of thriller and horror films, AMC Fearfest. Celebrating its 16th year, AMC Fearfest will feature 19 consecutive days of themed programming and more than 70 films, running from Saturday, October 13 through Wednesday, October 31.

“The Walking Dead” reigns as the most watched drama series on basic cable for Adults 18-49 and Adults 25-54 and is the highest rated scripted drama series among DISH subscribers (Source: Nielsen Media Research 4Q11 – 1Q12 A 18-49 (000) Dish Universe. The series has garnered two Emmy® Awards for Outstanding Prosthetic Make-up, a Golden Globe® Award nomination for Best Television Series – Drama, and a WGA Award for Outstanding Achievement in Writing Derivative New Media, among other accolades.

Agent Burgos, AMC OFFERS DISH SUBSCRIBERS LIVE STREAM OF THE “THE WALKING DEAD”