Work on Marc Webb’s Spider-Man sequel is coming along nicely. It seems the majority of the cast is in place and filming will start soon. Two of the new additions to the movie were out and about promoting their movies at this year’s Sundance Film Festival. Shailene Woodley, who will be playing Mary Jane Watson, and Dane DeHaan, Harry Osborn, talked a little about the upcoming Spidey movie.

Woodley spoke with MTV about joining the cast and how excited she was about the film. The actress couldn’t reveal too much, but she said she’s a fan of the character and really enjoyed the reboot:

Spider-Man has always been my favorite super hero dude, since I was a little girl. I think there’s something really special about flying. When I watched the previous Spider-Man with Andrew Garfield, he made me feel invincible. I think Marc Webb is amazing. I’m so stoked to work with Andrew and Emma [Stone], they’re the best of the best.

She went on to say that she didn’t know any real details about the film, but she assumes she’ll be part of a love triangle if the comics are anything to go by. Woodley also hinted that she’d be making the transition and become a redhead soon. You can watch the full video interview by clicking here.

Chronicle break-out star Dane DeHaan also chatted about The Amazing Spider-Man sequel while on the red carpet for his film with Daniel “Harry Potter” Radcliffe called Kill Your Darlings. The actor remained tight lipped on what he knows, but he did confirm that he will be involved in a love triangle. Is it with Gwen Stacy, Mary Jane, Aunt May? We’ll have to wait and find out. The director of Darlings may have spoiled a big plot point for the film though. HitFix reports an incident that occured during the cast introductions:

[Director] Krokidas introduced the cast of “Darlings” which includes Daniel Radcliffe, Ben Foster and Michael C. Hall. When he got to DeHaan he said “He’s the Green Goblin.” DeHaan just smiled, but it didn’t seem like Krokidas was kidding.

Is this a case of a director who doesn’t know a lot about comics or is Webb planning on skipping Norman and having Harry don the Green Goblin gear? I would say it’s the first, but it wouldn’t be a huge surprise if the second happened. The Green Goblin was used in Sam Raimi’s first film, so it would be a little too soon to simply rehash the character. What do you think? Would you be pleased if Harry is the first Green Goblin?

Cody "The Thorverine" Ferrell, Amazing Spider-Man 2: Shailene Woodley, Dane DeHaan, And A Possible Villain Spoiler

I am Yumi Sakugawa and I am a comic book artist and illustrator based in the Southern California. I am a regular comic / illustrator online contributor to Sadie Magazine and Wonderhowto.

Most recently, my comic zine “Mundane Fortunes for the Next Ten Billion Years and Other Stories” was selected as Notable Comics of 2012 by the Best American Comics anthology editors.

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Muy Mareado!, Indie Spotlight: Yumi Sakugawa

If you read Frank Cho’s Dynamite book Jungle Girl, you already have an idea of what to expect here.  It takes place in the Savage Land, and all hell breaks lose rather fast.  Cho hasn’t hidden his love of Shanna the She-Devil, and it shows in his writing.  She gets some good dialogue compared to the other characters in this book. Granted, most of her dialogue is explaining the trip that the reader just saw themselves.  Savage Wolverine #1 isn’t written well, but it shows a lot of potential.  It could be a fun and outlandish book.  Cho misses a great opportunity for humor, instead going for straight seriousness.  The recent Avenging Spider-Man arc in the Savage Land used the absurdity of the land rather well.  Wolverine can’t stay in the Savage Land forever, so Shanna will have to make a trip to the Jean Grey School sooner or later, which is a situation ripe with humor.

Wolverine doesn’t fare well in this issue.  It’s clear from the start that Cho wanted this book to be a Shanna ongoing, but Marvel thought it wouldn’t sell. So Cho threw Wolverine into it so that it would sell.  He barely speaks, and narrates every little thing he does.  The reader doesn’t need to be told he just killed someone when we saw the head flying across the panel.  The narrations go away once Wolverine bumps into Shanna, which betters the issue.  If the next few issues have the same problems, maybe Marvel should bring a cowriter aboard for a while.  Help Cho get his ideas out more effectively.  If I had any control over the books Marvel published, they would have turned this into a Shanna book instead.  Wolverine has enough books, and Marvel has been succeeding recently with B and C lister books.  If the book is good, it will sell.  Also, this would be a MAX book.  Cho could pencil the nudity that he terribly wants to pencil.

At this point in Frank Cho’s career, everyone knows what to expect from his books.  Lots of dinosaurs, cavemen, and scantly clad women.  Every other shot of Shanna has her standing in a provocative position with her boobs almost hanging out.  With the story being serious in nature, the amount of boobs sticks out that much more (no pun intended).  If Savage Wolverine had been more lighthearted and over the top, the boobs would have felt natural (I seriously didn’t mean that pun either).  Savage Wolverine is one great looking comic though. Every character is very expressive and detailed, and the lush jungles are beautiful.  The contrast of wide screen panels and small panels is used well to convey the fighting.  Cho’s amazing art is going to be the big draw on this book for some time.

Savage Wolverine is going to be a bubble book for some time.  If the writing can improve, and the tone can shift a little bit, we have ourselves a great book.  But if not, we have a dud.

Savage Wolverine #1 gets 3/5.

MrComicBook, Review: Savage Wolverine #1

Now, I understand this isn’t the most geeky thing to be highlighting, but when I’m not slaving away for the militant owner of this site, I’m slobbering and drooling over vehicles that I wish to someday own. Not to mention, some of these vehicles have graced the pages of our beloved comics in the past. As with many of the lists you’ll see me post, these are in no particular order. How do you put a level of awesomeness on these things, really?

A-Team G15 Van
1983 GMC Vandura
Van/Minibus
5.2 Liter V-8
When you think of a group of bad-asses, the A-Team should be at the top of your list. If it isn’t, please leave your man-card on the table as you escort yourself out of the building. This team, which consisted of H.M. Murdock, B.A. Baracas, Hannibal Smith and Templeton “Faceman” Peck, used this van for many things, anything from an every day vehicle to a battering ram to a  full-on assault vehicle. But no matter what, this beast made it through everything. The van was revived for Joe Carnahan’s film adaptation and fans couldn’t help but giggle a little bit when the van made its appearance.

Supernatural “Baby”
1967 Chevy Impala
Sedan
V8 427 4 Barrel
While my opinion of Supernatural  has changed over the years, one thing that remains the same is my love for this classic American car. This vehicle makes me happy in ways an inanimate object should. The sound of the metal doors creaking as they open and close, the rumble of the exhaust and the simplistic back paint, what’s not to love? At the end of season five, Chuck sums things up nicely by  calling the Impala “the most important object in the universe.” The classic rock soundtrack that is always present on the show never hurts either. This is a classic car for a pair of brothers that do what “Murica” does best: kick ass!

Starsky & Hutch Torino
1975-1976 Ford Gran Torino
Coupe
351 Windsor V-8 4 Barrel
The paint job is just as iconic as the car itself. When one sees this classic look on a car, only one show (or movie for the younger crowd) comes to mind: Starsky & Hutch. While the car may not have been the biggest and baddest muscle car ever made, you wouldn’t know by looking back at the series. Originally, a Chevy Camaro was to be the car of choice, as show creator William Blinn fondly remembered his convertible he owned. But being that the leasing program was through Ford, they opted for a Ford Gran Torino, which featured the famed 351 Windsor V8 engine and the now iconic red and white paint theme. The rest, as they say, is history. Talk about a good move!

Classic Batmobile
1955 Lincoln Futura Concept
Modified
351 V8
You didn’t think I’d make a list like this and not include this car, right? Despite it being over 50 years old, this car is still considered to be among the top Batman vehicles ever, movies, TV or comics; not to mention of any famous vehicles…ever. Hence its inclusion here. The car cost a whopping $125,000, which doesn’t sound like much for a fully custom vehicle, but if you factor in inflation, you’d be looking at a vehicle with a value of about $2 million today. Everything about this car is custom made, including the “bing bong” warning bell and the sender/receiver computer in the trunk.

Dukes of Hazzard General Lee
1969 Dodge Charger
Coupe
318, 383, & 440 CID V8 big block (Varied depending on use)
When I was a kid, nothing impressed me more than seeing Bo and Luke Duke racing to the General Lee, sliding across the hood and climbing through the window to head off on a back-country, high speed chase. I wanted to be a Duke more than anything. To this day, whenever I see an old Charger, I can’t help but smile. Fun fact: anywhere from 250 to 300 Dodge Chargers were used- and wrecked- during the taping of The Dukes of Hazzard. They often times would recycle parts to fix some of the cars up to reuse them. Even more cop cars were damaged during film. Sadly, whenever this car makes appearances now, the Confederate flag that is featured on the roof will no longer be used.

Green Hornet Black Beauty
1966 Chrysler Crown Imperial
Sedan
440-C.I. V8
You want to talk assault vehicle? The Chrysler Imperial that was used for Black Beauty not only had a drastically modified exterior, but the gizmos and weapons that were included make the Batmobile look like a Barbie Power Wheel. The car was able to launch rockets via tubes below the headlights, a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grill, and the capabilities to launch a video surveillance device- or scanner- from a hidden compartment. Just to name a few things. The car featured a one-of-a-kind paint job that included 30 layers of black paint. For the 2011 remake, the car kept to the same concept, but upped the ante and was easily the highlight of the film.

Knight Rider KITT
1982 Pontiac Trans Am
Coupe
5.0L V8
Before David Hasselhoff was running around in little red shorts, he was behind the wheel of this super smart, ultra computerized Trans Am. KITT, which stands for Knight Industries Two Thousand), has literally dozens of high-tech upgrades: turbo boost, Etymotic Equalizer (he could hear), Olfactory Sensor (he could smell), Silent Mode, Oil Jets/Smoke Screen, Flame Thrower and Ultramagnesium Charges. That list could go on for some time, but I’ll hold off on the awesomeness. Take all that and drop it into one of the most iconic cars of the 80′s (it’s still quite popular among folks with a mullet and have a hankerin’ for pork rinds) and you have yourself a pretty bad-ass whip.

Magnum, PI Ferrari
1977 Ferrari 308 GTS
Targa Coupe
2.9 L FI V8
When you mention the classic series Magnum, PI, most people will remember Tom Selleck’s luscious push-broom mustache or his ridiculously short shorts. But not me. What I remember most is that bright red, targa-topped Ferrari 308, a car that some enthusiasts to be among the most beautiful cars that the Italian automaker has ever produced. I couldn’t agree more. This care was able to bring down the fastest of getaway cars and looked damn good doing it. This thing is about 14 levels of pure awesomeness.

I have to list a few honorable mentions, as they are just too cool to leave off, so I have to at least give them a bit of love:
19986 Ferrari Testarossas from Miami Vice
1976 Austin Mini from Mr. Bean
1980 GMC Pick-up from The Fall Guy
Th Munster Koach from The Munsters
The Mystery Machine from Scooby Doo

What are your favorite cars from television? I know there are some that I missed, but the important ones are here and I’d be more than happy to take anyone of these home. Now if I only had someone to buy them for me…

Josh "ecksmanfan" Johnson, Top 8 Vehicles of Television

Chronicles female superhero’s life as a young Amazonian, before she becomes a warrior princess with super powers. Iris, comes from a remote, secluded country and until now has spent most of her life as a soldier and a leader on the battlefield. Because of relentless brutality of her life at home, Iris looks at our world with absolute awe and astonishment. She’s delighted -and just as often horrified – by the aspects of everyday life that we take for granted: skyscrapers, traffic, ice cream. It’s all new and fascinating and sometimes slightly troubling – to her. Iris is completely unschooled in our world, our culture, our customs. And she’s completely inexperienced at interpersonal relationships. She has no social filter, does not suffer fools, and tends to do and say exactly what’s on her mind at all times. She’s bluntly, refreshingly honest. She can tell when you’re lying to her. And she doesn’t have time or patience for politics or tact because she’s too busy trying to experience everything our world has to offer. There are too many sights to see – and things to learn – and people to care for. Hers is a true, noble, and generous heart. And she will fight and die for the people she loves. Iris is a fierce warrior with the innocent heart of a romantic – and she will fight to the death to make the world safe for innocents and true romantics everywhere.

Cody "The Thorverine" Ferrell, New Synopsis For CW’s Amazon Emerges

Ralph is a very simple movie at heart, but has plenty of deeper messages.  Kids will see what they want, and so will adults.  Kids will see a man who thinks he is bad be a good person.  Adults will see a complex film about heroes and their somewhat ambiguous morality.  It’s amazing how easily the movie balances these two extremes.  Never does the audience feel like these plot twists are forced or shoved in for the sake of it.  Everything feels natural for the story.  The plot does a great job of giving the audience to care for each and every character.  Even a character like King Candy, who turns out to be a villain for the movie.  The rules of the world are also stated nicely.  The audience doesn’t have to sit through some long exposition scene about how and why they game jump.  The rules are brought up naturally, or in a funny way.

Yes, there are video game references a plenty.  They go from obscure arcade games like Tappers, to main stream characters like Sonic.  The majority of Ralph takes place in a Mario Kart knock off, with plenty of jokes at that series.  It should take a couple viewings to get all of the hints and nods to games.  While many movies have tried to have their setting be a video game, none have succeeded.  But Ralph soars in this setting.  It’s clear the creators have a love for video games, and know what they are about.  There are plenty of jokes at modern and classic video games, but there is a respect behind those jokes.

The special effects are on the same level of Pixar.  8-bit characters move in quick motions, as they would when playing the game.  If something in an 8-bit game splashes, the puddles are squares.  It’s a small thing, but goes a long way to help sell the world that these characters are in.  Another big thing is having every character react as they would in their game.  On a small scale, this is to be expected.  But when there is a huge scene, filled with hundreds of characters, every character acts accordingly.  Sonic is in the background of one of these scenes, and we see him get hit with debris.  Naturally, he starts blinking and shoots out coins.  He was so far in the background, I almost missed it.

Wreck-It Ralph isn’t perfect though.  While the writing is great in most scenes, occasionally the writing gets a little on the nose with their message.  The movie treads the line well of adult and kid content, but the script creeps into preachy territory every so often.  It’s jarring, considering there are a few scenes that are quite dark emotionally, and filled with subtlety.  Then we go to a scene that lays everything out on the table.  It doesn’t ruin the movie by any means, but it could have been changed.

The voice actors create a great team.  No one steals the show, but they all work together to create a better movie.  John C. Riley makes Ralph lovable, and instantly the audience feels for the guy.  Sarah Silverman makes Vanellope annoying as hell, then the audience’s heart just breaks for her.  Her voice is one of the few who can’t be picked out right away.  Jane Lynch plays the tough as nails commander well, in a tongue-in-cheek fashion.  Jack McBryer was hysterical as Fix It Felix.  But the biggest surprise was that Alan Tudyk played King Candy.  He sounds nothing like Tudyk’s normal voice.  And as I have always said, “Putting Alan Tudyk in your movie ALWAYS makes it better.”

If Wreck-It Ralph proves one thing, it’s that kids don’t need a movie that coddles them.  Ralph deals with some heavy emotions that are accentuated by some perfectly voiced scenes.  It seemed almost un-Disney to have these characters so sad.  But it works.  Kids loved the movie, and many were screaming that they wanted to see it again.

Wreck-It Ralph gets 4/5.

MrComicBook, Wreck-It Ralph Review

Felicia Castro, the protagonist of the new Image Comics series I LOVE TROUBLE by Kel Symons and Mark Robinson, debuting in December, doesn’t have much going for her. A New Orleans grifter on the run from a mobster, Felicia has to flee the Big Easy to hide out in the Midwest. Then her plane crashes.

Instead of it being the end for the Felicia, the crash turns out to be a new beginning. Felicia discovers she has the ability to teleport, a power she thinks will be an easy fix to all of her problems. But Felicia is someone who follows trouble, and her power opens up a whole new world of crime and exploitation.

“I imagine her as someone who was always on the run from one thing or another in her life — came from a broken home, had terrible experiences with relationships — and when things got bad she just picked up and left,” said writer Symons. “So the idea of teleportation fed into that.”

The premise of Felicia’s power being tied with her personality was what artist Robinson said won him over. “Kel’s ideas were crisp and sharp,” said Robinson. “The book is supposed to be more about the person than the power. Kel’s scripts leave me a lot of room to do my thing visually, which I am grateful for.”

The breathing room has allowed Robinson to shine, said Symons. “There’s a uniqueness to what Mark’s doing — you can just see he’s working on another level, that he takes what’s in a script and finds something you didn’t even realize was there and runs with it.”

Robinson names Will Eisner as one of his primary influences in drawing I LOVE TROUBLE. “It’s not a superhero story, yet it needs to capture the same excitement and sense of the fantastic that Eisner puts into his work,” he said. “I want people to see the characters do things in this book that puts them right in the middle of a scene from their own life.”

Symons was a producer of The Dungeon Masters, a documentary about Dungeons and Dragons players, and also produced and directed the documentary Excavating the 2000-Year-Old Man. He was involved, as a development executive, in the film adaptation of Tom Clancy’s Jack Ryan noveI The Sum of All Fears. He also developed the feature films Sahara and Invictus. I LOVE TROUBLE is his first comic book series.

Robinson has been drawing comics professionally since 2001 and is best known for his work on the IDW series Storm Shadow and the Marvel series Hulk and Skrull Kill Krew.

I LOVE TROUBLE is a full-color, ongoing comic book series. Its first issue will be in stores on December 5 and is available for pre-order in the December issue of Previews.

Agent Burgos, SUPERPOWERS LEAD TO SUPER PROBLEMS IN I LOVE TROUBLE

Fox correspondent Sherri Ly sought the opinion of child psychologist Neil Bernstein on the issue, who hit out at the controversial sex scene in Catwoman #1, and the portrayal of women in Red Hood and the Outlaws #1.

“Love has nothing to do with it,”

he said, discussing the depiction of casual sex in the comics.

“We want our kids to think sex is an act between two consenting mature individuals who care deeply for one another.

“That doesn’t really come across and it’s too easy to misconstrue things, particularly for a kid.”

DC has previously defended both comics. In September, the publisher warned parents to pay “attention to the ratings when picking out any books to read themselves or for their children” in response to criticism of Red Hood and the Outlaws.

“someone who lives in our times”.

wolverinept, DC Comics’ Portrayal Of Sex And Violence Called Out By Fox!