Marvel touts the series as giving readers a “rare glimpse into the ultimate nihilist’s early days on his far-off home planet Titan” and the life events that lead him down his path of cosmic villainy. Aaron promised that the origin story is literally that, starting with the Mad Titan’s birth. The series will have some new characters, but there will be several familiar names including Thanos’ father Mentor and his mother Sui-San. Aaron talked about the question that runs through the series:

Well, that’s really the main question of the book. Who is Thanos? When the book starts, even Thanos doesn’t know the answer to that question. It’s the pursuit of that answer that begins to take him to some very dark places. This is not a super hero story. There are no good guys swooping in to save the day here. This is the origin story of a very bad dude. A cosmic mass murderer.

This past summer I had the opportunity to speak with Jim Starlin about the first proposed Thanos origin story, and he shared his thoughts on that (you can find that here). Starlin laid down a lot of history for his creation, but Aaron will be going through pulling it all together and giving it a slight twist. Aaron is sticking to Starlin’s work and talks about how he will continue on from what has already been written:

Jim Starlin of course had already laid down a lot of the pieces of Thanos’ origin, but they were spread out in several different stories written over the course of several years. THANOS RISING combines all those pieces and also fills in a lot of the cracks. I think it’s true to Starlin’s original ideas for the character, while also expanding on some aspects of the origin, and playing around a bit with the dark romance part of the character’s history.

The series starts in April, but as of now there is no word on how long the miniseries will run. Thanos Rising will serve as an entry points for people who just found out about the Mad Titan through The Avengers, but old fans will also get something out of it. Aaron has been writing some great stuff the past few years with Scalped and his recent Thor, so it will be interesting to see what he brings to Thanos. Bianchi’s art is great so that’s an added bonus. You can read the full interview to see what Bianchi had to say about redesigning a young Thanos by clicking here. What do you think about the proposed series? Will you be picking this one up?

Cody "The Thorverine" Ferrell, Jason Aaron To Write Thanos Origin Series: Thanos Rising

The comic book field is bigger than ever with the emergence of the graphic novel as a genuine literary genre. Comic book artists come from a variety of backgrounds and work in many different styles, but they all must learn to tell a story using words and pictures. Some comics book artists write their own material and some work with a writer, but in both cases they must hone their storytelling and narrative skills.

Overview of the Comic Book Industry

There are two general types of comic book companies. The first type is the mainstream comic publisher, such as Marvel or DC comics. They hire artists and writers to create works using wholly owned licensed characters, such as Spiderman and Batman. Production tasks are broken down into jobs such as writers, pencil artists, inkers, letterers or colorists. The company retains copyright (ownership) of all work produced and artists are paid a piece rate for their work.

The second type of comic book publisher operates more like a book publisher, with the artist or artist and writer team creating a complete work. Upon completion, they search for an appropriate publisher to bring the work to market. Pay is based on royalties on units sold, although it is possible to negotiate an advance against royalties. Typically, the artist retains the copyright and ownership of the work.
Artists should become familiar with the different publishers and the type of work they produce, and gear their submissions to a specific type of publisher.

Basic Skills for Comic Book Artists

Above all, a comic book artist must be a superb draftsman, capable of drawing the human figure in action, landscapes, buildings, interiors and compositions including all of these. For drawing the human figure, there is no substitute for life drawing. It is important to draw the figure in a formal setting such as a life drawing class, but of equal importance is to carry a sketchbook and draw from life as a habit. This helps in incorporating the figure into landscapes, cityscapes and interiors. Even artists with a cartoony style tend to have some background in life drawing. Artists who learn to draw only from looking at other comics tend to create flat looking art without dimension or movement.

Study Narrative Art: Comics and Film

Comic book artists must create a visual narrative that takes place over time. Comics are a unique medium with their own language and dynamics, but there are similarities with film. Study the comic book artists and movies that have a gripping appeal to you. Note how the artist or director conveys their story. What type of images do they use to convey action and emotion? Think of how you can use these types of images in your comics.

Practice: Draw a Lot of Comics

Canadian comic artist Dave Sim has commented that a comic book artist must draw 1000 pages of comics before they draw their first good page of comics. The point is to practice. Assemble some basic cartooning tools and get to work. You will need some HB drawing pencils, an eraser, some small watercolor brushes for inking, india ink, bristol paper, and some lettering and drawing pens that can be dipped in ink. These items are available at art supply stores. A ruler, T-Square and a triangle are all useful for drawing straight lines. At first, do not worry how your work looks. Practice drawing comics many hours per week. Note that improvement comes over time with hard work. When your work looks good enough, you may consider publishing your own mini-comic to show friends.

Nuts and Bolts of Creating Comic Book Art

Here is the typical work sequence in producing a comic book or graphic novel. First, the script is written, broken down into individual panels with dialog and captions for each panel. Then, the story is drawn on bristol board in pencil. After pencil art, the letters are drawn in ink over the pencil art. The inker takes over and inks the pencil art using india ink. Some inkers prefer working with brush and ink, while others swear by the nib pen, or dip pen. Even others prefer technical pens that are preloaded with ink. It is important to remember to erase left over pencil lines after the inking is done. If the inside pages are to be reproduced in color, the final step is to color the pages. Each step may be performed by one individual or a team. This is a general guide, as each artist develops their own process for creating comic book art. For example, many artists use Adobe Photoshop for coloring comics today.

Becoming a Professional Comic Book Artist

Some colleges and universities now offer degrees in comic book art, sometimes called sequential art, such as the School of Visual Arts in New York City. While this may be valuable, there is no substitute for logging many hours drawing comics. When you feel you work has reached a professional level, review the submissions policies of the major publishers and send them copies of your work with return postage. Never send original art. These days, many of the top companies offer portfolio reviews at the major industry shows such as Comic Con International, held each summer in San Diego. You may not be hired on your first try, but you will receive valuable tips from editors and make contact with fellow artists and industry professionals. In summary, it takes a combination of talent, hard work and sustained focus to become a comic book artist.

This work by wolverinept is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 United States License.

wolverinept, So you want to be a Comic Book Artist…