A horse shot my parents in an alley when i was a young boy. RT @shaunh22: @ssnyder1835 Why don’t you like horses?

— Scott Snyder (@Ssnyder1835) January 16, 2013

A horse shot my Uncle Ben. RT @juventuz: @ssnyder1835 Read Batman 16 finally, you got something against horses? — Scott Snyder (@Ssnyder1835) January 17, 2013

As a boy, I thought a horse killed my father. He was my father RT @broughstuff: Batman #16 was awesome, but what’s snyder got against horses — Scott Snyder (@Ssnyder1835) January 17, 2013

I hate horses. RT @taitanorules555: @ssnyder1835 do you hate horses because why did you make freeze kill a freaking horse? — Scott Snyder (@Ssnyder1835) January 18, 2013

Mr. Snyder continues to avoid answering the hard hitting question of why he dislikes horses. The writer seems to have a personal vendetta against our equine friends. Where does this deep-seated hatred come from? One could not venture to guess, but we have obtained this footage of someone taking their hatred from the land of fantasy to the reality. Is that Scott Snyder punching a horse in the face? It’s not for us to say, but it does look like him doesn’t it?

GIFSoup

Mr. Snyder continues to taunt fans about horse hatred. Earlier today he sent out the link to the following Amazon review [click to see larger image] through is personal Twitter. This man must be stopped before more fictional horses are destroyed. I propose a petition to prevent Mr. Snyder from ever writing a My Little Pony book. Just think what he would do to them?! *if you can’t tell, this is an article in the style of The Onion making fun of the supposed horse controversy and the gif is from Blazing Saddles.

Cody "The Thorverine" Ferrell, Scott Snyder’s War On Horses Continues

If you read Frank Cho’s Dynamite book Jungle Girl, you already have an idea of what to expect here.  It takes place in the Savage Land, and all hell breaks lose rather fast.  Cho hasn’t hidden his love of Shanna the She-Devil, and it shows in his writing.  She gets some good dialogue compared to the other characters in this book. Granted, most of her dialogue is explaining the trip that the reader just saw themselves.  Savage Wolverine #1 isn’t written well, but it shows a lot of potential.  It could be a fun and outlandish book.  Cho misses a great opportunity for humor, instead going for straight seriousness.  The recent Avenging Spider-Man arc in the Savage Land used the absurdity of the land rather well.  Wolverine can’t stay in the Savage Land forever, so Shanna will have to make a trip to the Jean Grey School sooner or later, which is a situation ripe with humor.

Wolverine doesn’t fare well in this issue.  It’s clear from the start that Cho wanted this book to be a Shanna ongoing, but Marvel thought it wouldn’t sell. So Cho threw Wolverine into it so that it would sell.  He barely speaks, and narrates every little thing he does.  The reader doesn’t need to be told he just killed someone when we saw the head flying across the panel.  The narrations go away once Wolverine bumps into Shanna, which betters the issue.  If the next few issues have the same problems, maybe Marvel should bring a cowriter aboard for a while.  Help Cho get his ideas out more effectively.  If I had any control over the books Marvel published, they would have turned this into a Shanna book instead.  Wolverine has enough books, and Marvel has been succeeding recently with B and C lister books.  If the book is good, it will sell.  Also, this would be a MAX book.  Cho could pencil the nudity that he terribly wants to pencil.

At this point in Frank Cho’s career, everyone knows what to expect from his books.  Lots of dinosaurs, cavemen, and scantly clad women.  Every other shot of Shanna has her standing in a provocative position with her boobs almost hanging out.  With the story being serious in nature, the amount of boobs sticks out that much more (no pun intended).  If Savage Wolverine had been more lighthearted and over the top, the boobs would have felt natural (I seriously didn’t mean that pun either).  Savage Wolverine is one great looking comic though. Every character is very expressive and detailed, and the lush jungles are beautiful.  The contrast of wide screen panels and small panels is used well to convey the fighting.  Cho’s amazing art is going to be the big draw on this book for some time.

Savage Wolverine is going to be a bubble book for some time.  If the writing can improve, and the tone can shift a little bit, we have ourselves a great book.  But if not, we have a dud.

Savage Wolverine #1 gets 3/5.

MrComicBook, Review: Savage Wolverine #1

Now, I understand this isn’t the most geeky thing to be highlighting, but when I’m not slaving away for the militant owner of this site, I’m slobbering and drooling over vehicles that I wish to someday own. Not to mention, some of these vehicles have graced the pages of our beloved comics in the past. As with many of the lists you’ll see me post, these are in no particular order. How do you put a level of awesomeness on these things, really?

A-Team G15 Van
1983 GMC Vandura
Van/Minibus
5.2 Liter V-8
When you think of a group of bad-asses, the A-Team should be at the top of your list. If it isn’t, please leave your man-card on the table as you escort yourself out of the building. This team, which consisted of H.M. Murdock, B.A. Baracas, Hannibal Smith and Templeton “Faceman” Peck, used this van for many things, anything from an every day vehicle to a battering ram to a  full-on assault vehicle. But no matter what, this beast made it through everything. The van was revived for Joe Carnahan’s film adaptation and fans couldn’t help but giggle a little bit when the van made its appearance.

Supernatural “Baby”
1967 Chevy Impala
Sedan
V8 427 4 Barrel
While my opinion of Supernatural  has changed over the years, one thing that remains the same is my love for this classic American car. This vehicle makes me happy in ways an inanimate object should. The sound of the metal doors creaking as they open and close, the rumble of the exhaust and the simplistic back paint, what’s not to love? At the end of season five, Chuck sums things up nicely by  calling the Impala “the most important object in the universe.” The classic rock soundtrack that is always present on the show never hurts either. This is a classic car for a pair of brothers that do what “Murica” does best: kick ass!

Starsky & Hutch Torino
1975-1976 Ford Gran Torino
Coupe
351 Windsor V-8 4 Barrel
The paint job is just as iconic as the car itself. When one sees this classic look on a car, only one show (or movie for the younger crowd) comes to mind: Starsky & Hutch. While the car may not have been the biggest and baddest muscle car ever made, you wouldn’t know by looking back at the series. Originally, a Chevy Camaro was to be the car of choice, as show creator William Blinn fondly remembered his convertible he owned. But being that the leasing program was through Ford, they opted for a Ford Gran Torino, which featured the famed 351 Windsor V8 engine and the now iconic red and white paint theme. The rest, as they say, is history. Talk about a good move!

Classic Batmobile
1955 Lincoln Futura Concept
Modified
351 V8
You didn’t think I’d make a list like this and not include this car, right? Despite it being over 50 years old, this car is still considered to be among the top Batman vehicles ever, movies, TV or comics; not to mention of any famous vehicles…ever. Hence its inclusion here. The car cost a whopping $125,000, which doesn’t sound like much for a fully custom vehicle, but if you factor in inflation, you’d be looking at a vehicle with a value of about $2 million today. Everything about this car is custom made, including the “bing bong” warning bell and the sender/receiver computer in the trunk.

Dukes of Hazzard General Lee
1969 Dodge Charger
Coupe
318, 383, & 440 CID V8 big block (Varied depending on use)
When I was a kid, nothing impressed me more than seeing Bo and Luke Duke racing to the General Lee, sliding across the hood and climbing through the window to head off on a back-country, high speed chase. I wanted to be a Duke more than anything. To this day, whenever I see an old Charger, I can’t help but smile. Fun fact: anywhere from 250 to 300 Dodge Chargers were used- and wrecked- during the taping of The Dukes of Hazzard. They often times would recycle parts to fix some of the cars up to reuse them. Even more cop cars were damaged during film. Sadly, whenever this car makes appearances now, the Confederate flag that is featured on the roof will no longer be used.

Green Hornet Black Beauty
1966 Chrysler Crown Imperial
Sedan
440-C.I. V8
You want to talk assault vehicle? The Chrysler Imperial that was used for Black Beauty not only had a drastically modified exterior, but the gizmos and weapons that were included make the Batmobile look like a Barbie Power Wheel. The car was able to launch rockets via tubes below the headlights, a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grill, and the capabilities to launch a video surveillance device- or scanner- from a hidden compartment. Just to name a few things. The car featured a one-of-a-kind paint job that included 30 layers of black paint. For the 2011 remake, the car kept to the same concept, but upped the ante and was easily the highlight of the film.

Knight Rider KITT
1982 Pontiac Trans Am
Coupe
5.0L V8
Before David Hasselhoff was running around in little red shorts, he was behind the wheel of this super smart, ultra computerized Trans Am. KITT, which stands for Knight Industries Two Thousand), has literally dozens of high-tech upgrades: turbo boost, Etymotic Equalizer (he could hear), Olfactory Sensor (he could smell), Silent Mode, Oil Jets/Smoke Screen, Flame Thrower and Ultramagnesium Charges. That list could go on for some time, but I’ll hold off on the awesomeness. Take all that and drop it into one of the most iconic cars of the 80′s (it’s still quite popular among folks with a mullet and have a hankerin’ for pork rinds) and you have yourself a pretty bad-ass whip.

Magnum, PI Ferrari
1977 Ferrari 308 GTS
Targa Coupe
2.9 L FI V8
When you mention the classic series Magnum, PI, most people will remember Tom Selleck’s luscious push-broom mustache or his ridiculously short shorts. But not me. What I remember most is that bright red, targa-topped Ferrari 308, a car that some enthusiasts to be among the most beautiful cars that the Italian automaker has ever produced. I couldn’t agree more. This care was able to bring down the fastest of getaway cars and looked damn good doing it. This thing is about 14 levels of pure awesomeness.

I have to list a few honorable mentions, as they are just too cool to leave off, so I have to at least give them a bit of love:
19986 Ferrari Testarossas from Miami Vice
1976 Austin Mini from Mr. Bean
1980 GMC Pick-up from The Fall Guy
Th Munster Koach from The Munsters
The Mystery Machine from Scooby Doo

What are your favorite cars from television? I know there are some that I missed, but the important ones are here and I’d be more than happy to take anyone of these home. Now if I only had someone to buy them for me…

Josh "ecksmanfan" Johnson, Top 8 Vehicles of Television

This series, a collision of comedy, sex, and violence, follows the misadventures of America’s most dysfunctional family as they go head-to-severed head with an Oprah-loving ax murderer, a cult-crazy soap opera star, and a neo-Nazi prison gang.
First issue: Todd wants desperately to make friends, but every kid he approaches winds up decapitated. Or worse. Meanwhile, Todd’s mother is on a mission to get even with her husband who she believes is having an affair.

Todd, The Ugliest Kid On Earth is a new four issue series with a story by M.K. Perker and Ken Kristensen. The issue is written by Kristensen with art and letters from Perker. Cemal Soyleyen joins the duo by providing colors. Todd is an odd new book, but is it worth checking out?

A new family is moving into their new home when Todd, the ugliest kid on Earth, comes over to try and make friends with the nice little Korean girl. Todd frightens most other children his age because he walks around with a giant paper bag covering his face. But Todd is a nice, sweet kid who just wants to make a friend. That’s hard to do when Mike, the neighborhood bully, and his gang roll up on the scene to harass Todd and cause him to get into trouble. Mike is the little devil that bullies everyone but uses his silver tongue to talk his way into the good graces of the adults. Back at home Todd has to deal with his drunken father and inattentive mother. While watching the news, the family learns of an axe murderer on the loose who targets children. While the news report tells parents to keep their children inside, Todd’s mom wants him to take out the trash…in the rain…with an axe murderer in the area. You might be able to guess what happens. That sets off the comedy of misunderstanding that ensues.

Perker and Kristensen have a truly unique story on their hands. This odd, politically incorrect, and wacky story features a cast of messed up characters and humor that should hook any reader. While it’s hard to say there’s anything quite like Todd, the nearest compression would be something along the lines of The Maxx and The Oblongs. The art is absolutely amazing. Perker along with Soyleyen’s colors make a beautiful book. I mean this as a huge compliment, but it looks similar to what you would see in a children’s book. You have some cartoony looking art with bright and vivid colors. The backgrounds are fantastic and the characters are slightly exaggerated in their face, size, and features.

Bottom Line: Todd, the Ugliest Kid on Earth is a fantastic book like no other. This oddball story features slightly risqué humor with fantastic art. Perker and Kristense have a lot to live up to with the remaining three issues. If it’s anything like the first issue, we’re in for a great ride 5/5

Cody "The Thorverine" Ferrell, Advance Review: Todd, The Ugliest Kid On Earth #1

• It’s off to Jotunheim, the land of the Frost Giants as Bruce Banner and his lab team embark on an all-new secret mission for S.H.I.E.L.D! Caught trespassing by the local natives, they’re going to need the help of the mighty Avenger, Thor!

Waid is excited to get Simonson on the book and having the legendary artist draw Thor again. While Thor will be showing up, the question should be which Thor is showing up? Waid makes an interesting  statement about the Thor we’ll be seeing:

Why on Earth would you have the amazing Walt Simonson aboard and NOT ask him to draw Thor? The teasing question is–which Thor will we be seeing? Banner and his team of assistants build a portal to Jotunheim, land of the Frost Giants, in order to obtain a rare metal there–but in doing so, they may have accomplished something totally unforeseen!

While we’ll have to wait and see exactly what Waid means, Simonson touched on revisiting the world of Thor and how he goes about tackling the Hulk:

It’s been interesting drawing Thor and not writing him. (laughs) I like what Mark’s been asking me to draw a lot, and he has kindly allowed me to kibitz a little. My earliest work on Thor was done pretty much the same way when I did layouts for Len Wein to write on the Thor title in the 70s. I also got to draw Thor in some of the Brian Bendis Avengers recently. I’ve found it’s been a lot of fun for me to go back and revisit the old boy again.

Regarding the drawing the Hulk and Thor, there’s an essential difference in their natures I try to reflect in the figure work.
I’ve approached drawing the Hulk with a certain ‘wildness’, since he is essentially a ‘monster’ who is the unfettered version of a mortal. The shapes that make up his figure as well as the actual lines used to define those shapes can be far less restrained that they might otherwise be for a more ordinary character. In other words, the drawing technique itself is meant to suggest the limitless quality of the Hulk’s fury and power. And because of his ‘monstrous’ nature, the Hulk’s figure and face don’t require the kind of symmetry that a character like Thor needs in order to be handsome within the context of the comic. I’m also inspired by the earliest versions of the Hulk by Jack Kirby and Steve Ditko where there seems to me to have been a nod to the Karloff Frankenstein monster of the early Universal horror films. All of which means I can pack a lot into my drawings to try to capture some reflection of the Hulk’s wild nature.

If you want to check out the full interview with Waid and Simonson click here. It will be exciting to see Simonson taking on Thor again. The artist did some incredibly work with the thunder god back in the day, so having him return to draw again mixed in with it being a Hulk book makes this a must get. What do you think about Simonson’s return? From what Mark Waid said do you think we’ll get a big twist with the Thor story?

Cody "The Thorverine" Ferrell, Waid And Simonson Talk Indestructible Hulk

Cheadle knows that expectations are extremely high for the first post-Avengers film, but it sounds like he and the cast are ready for the challenge:

I hope that it performs to those levels. We did a little piece of it at Comic-Con and people went crazy. It looked great. The script is good. We’re doing a couple re-shoots next week, but I’m encouraged.

Iron Man 2 was directed by Jon Favreau whereas 3 will be handled by the aforementioned Shane Black. Cheadle praises the new director saying he had a good time with a really good cast. He said the director came up with “an interesting script” that was “a lot of fun.” When asked how he would shake things up in Iron Man 3, the actor may have let a spoiler out of the bag:

I’m not supposed to say that he kills Robert Downey Jr.’s character.  Is that a spoiler?  That would be a spoiler.  You knew that was coming.  You read the comic books.  No.  I will just say that the buddy relationship that these guys have gets tighter.  The third act set piece for the big finale is bigger and badder.  It’s just a lot more.

OK that wasn’t really a spoiler. It would be an incredible shock though you have to admit. The actor did confirm what we had only heard rumors of, that some re-shoots will take place next week in Manhattan Beach. With the stills and clips we’ve seen from the film it does look like the Rhodes/Stark relationship will be explored even further than the second film. To read the rest of the interview where Cheadle talks about his TV show, production company, and family click right here. Everything he said about Iron Man 3 and the third act set piece being “bigger and badder” sounds incredibly promising. What do you think?

Cody "The Thorverine" Ferrell, Don Cheadle Says Iron Man 3 Is “Bigger and Badder”

Ralph is a very simple movie at heart, but has plenty of deeper messages.  Kids will see what they want, and so will adults.  Kids will see a man who thinks he is bad be a good person.  Adults will see a complex film about heroes and their somewhat ambiguous morality.  It’s amazing how easily the movie balances these two extremes.  Never does the audience feel like these plot twists are forced or shoved in for the sake of it.  Everything feels natural for the story.  The plot does a great job of giving the audience to care for each and every character.  Even a character like King Candy, who turns out to be a villain for the movie.  The rules of the world are also stated nicely.  The audience doesn’t have to sit through some long exposition scene about how and why they game jump.  The rules are brought up naturally, or in a funny way.

Yes, there are video game references a plenty.  They go from obscure arcade games like Tappers, to main stream characters like Sonic.  The majority of Ralph takes place in a Mario Kart knock off, with plenty of jokes at that series.  It should take a couple viewings to get all of the hints and nods to games.  While many movies have tried to have their setting be a video game, none have succeeded.  But Ralph soars in this setting.  It’s clear the creators have a love for video games, and know what they are about.  There are plenty of jokes at modern and classic video games, but there is a respect behind those jokes.

The special effects are on the same level of Pixar.  8-bit characters move in quick motions, as they would when playing the game.  If something in an 8-bit game splashes, the puddles are squares.  It’s a small thing, but goes a long way to help sell the world that these characters are in.  Another big thing is having every character react as they would in their game.  On a small scale, this is to be expected.  But when there is a huge scene, filled with hundreds of characters, every character acts accordingly.  Sonic is in the background of one of these scenes, and we see him get hit with debris.  Naturally, he starts blinking and shoots out coins.  He was so far in the background, I almost missed it.

Wreck-It Ralph isn’t perfect though.  While the writing is great in most scenes, occasionally the writing gets a little on the nose with their message.  The movie treads the line well of adult and kid content, but the script creeps into preachy territory every so often.  It’s jarring, considering there are a few scenes that are quite dark emotionally, and filled with subtlety.  Then we go to a scene that lays everything out on the table.  It doesn’t ruin the movie by any means, but it could have been changed.

The voice actors create a great team.  No one steals the show, but they all work together to create a better movie.  John C. Riley makes Ralph lovable, and instantly the audience feels for the guy.  Sarah Silverman makes Vanellope annoying as hell, then the audience’s heart just breaks for her.  Her voice is one of the few who can’t be picked out right away.  Jane Lynch plays the tough as nails commander well, in a tongue-in-cheek fashion.  Jack McBryer was hysterical as Fix It Felix.  But the biggest surprise was that Alan Tudyk played King Candy.  He sounds nothing like Tudyk’s normal voice.  And as I have always said, “Putting Alan Tudyk in your movie ALWAYS makes it better.”

If Wreck-It Ralph proves one thing, it’s that kids don’t need a movie that coddles them.  Ralph deals with some heavy emotions that are accentuated by some perfectly voiced scenes.  It seemed almost un-Disney to have these characters so sad.  But it works.  Kids loved the movie, and many were screaming that they wanted to see it again.

Wreck-It Ralph gets 4/5.

MrComicBook, Wreck-It Ralph Review

Yeah this interview its a little random, but pretty funny!

Sound off below peeps!

(Photos By Ruben Reyes)

(Video Recording By Eli Contreras)

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