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Updated! Zombieland TV Series Begins Casting Process

Josh "ecksmanfan" Johnson — Mon, 21 Jan 2013 07:33:58 +0000

Bet you didn’t see that one coming, did you? Ruben Fleischer’s Zombieland was a breath of fresh air in regards to bringing something new and unique to the horror-comedy genre. Aside from being a well written film, the cast of Woody Harrelson, Emma Stone, Jesse Eisenberg and Abigail Breslin were a cohesive group that only added to the greatness.

For a couple years now, there have been two rumors floating around concerning Zombieland, with the most logical being that a sequel was in the works, which is kind of has. Writers have been trying to come up with something, but it doesn’t look like anything will actually come of it. The second rumor is that a television series was being worked on for CBS and oddly enough, that’s the project that may be moving forward, as a casting call just went out.

According to I09, the call went out to cast the series main characters, which would carry over from the film. There are some minor spoilers ahead, so read on with caution. Below are some abbreviated descriptions for the characters, which also includes a couple of new characters. the series looks to delve into the back story of our four heroes.

Tallahassee is still kind of a snarky weirdo, but he seems to have a much less spiky relationship with Columbus. He and Columbus have a pretty amusing thing where they riff on the fact that Steven Seagal movies always have three-word titles like “Marked for Justice” or “May Cause Diarrhea.” But Tallahassee also dispenses homespun wisdom about how to feel happy with your life. He also tells a weird story about being in a trailer park with a perpetually nude Matthew McConaughey. He also has a somewhat heartwarming scene where he tells Columbus that he’s been wandering aimlessly for a long time, but maybe he’s been put here for a reason — to help Columbus and the others.

Columbus is much the same, except that he tracks down his grandma and grandpa (Bubbie and Peepaw) only to find them recently zombiefied. Also, Columbus is trying to deal with his new-found relationship with Wichita, after their first kiss. He has started calling her “Krista,” her real name — but there are some problems, especially after she finds him reading a book about fatherhood. He tries to organize a romantic scavenger hunt for her in the IKEA they’re camping out in, but it goes kind of horribly.

Wichita is still trying to look after Little Rock, trying to teach her math with problems about someone stealing from a liquor store and jumping on a train going 42 miles per hour, with a cop chasing in a car going 88 miles per hour. We also learn a lot more about Wichita’s backstory, including how she ran away from her father after he had her stealing people’s Christmas presents — and later, she found out she had a sister who was also being a grifter with her dad.

Little Rock seems actually kind of excited about meeting Columbus’ grandparents, before they turn out to be zombies. And she shares some of her own backstory, about how her dad parked her at a school while he went off grifting on his own — and then yanked her out of school right before a dance that she was looking forward to.

Fred and Ainsley are two office workers at the start of the zombie apocalypse, obliviously complaining about problems with their iPhones and getting the wrong order at Starbucks, which they admit are “first world problems” with a hashtag — while people are being disembowled just outside the window they’re not facing. Tallahassee shows up to bring them their lunch orders, wearing a green polo shirt.

As you can see, the writers plan to keep much of the same tone to the series that helped make the movie so enjoyable. Not unsurprisingly, they seem to be making the relationship between Columbus and Wichita the main focus, but also seem to be making a family out of the group. Not a terrible concept, especially considering they series will be a half-hour comedy. Things look promising!

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UPDATE! It’s been revealed by Broadcast that this series will actually end up streaming on Amazon, rather than be a traditional aired TV series, much like the resurgence of the cult favorite Arrested Development. No mention of time frame, but as with Netflix, it can be expected that Amazon won’t be restrained by the usual “seasons” as with traditional television series.

Josh "ecksmanfan" Johnson, Updated! Zombieland TV Series Begins Casting Process

Indie Spotlight: Yumi Sakugawa

Muy Mareado! — Fri, 18 Jan 2013 15:00:11 +0000

Welcome to Indie Spotlight! The independent scene is filled with many writers and artists alike and we here at Comic Book Therapy wanted to explore and reach reach out to these talented people to have the opportunity to learn about their works. For our first edition we present to you Yumi Sakugawa!

I am Yumi Sakugawa and I am a comic book artist and illustrator based in the Southern California. I am a regular comic / illustrator online contributor to Sadie Magazine and Wonderhowto.

Most recently, my comic zine “Mundane Fortunes for the Next Ten Billion Years and Other Stories” was selected as Notable Comics of 2012 by the Best American Comics anthology editors.

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Comic Book Therapy – Thank you very much for taking the time out to do this interview. How have you been doing?

Yumi Sakugawa – It is my pleasure! I’m finally fully recovered from a week-long cold so right now I am feeling pretty amazing.

CBT – You’re a self published comic book artist. How did you start?

Yumi – After I graduated from UCLA, I spent a year teaching English in Japan… because that’s what you do when you have just graduated from college with an art major and you have no idea what you’re going to do with yourself. During that time, a fellow English-teaching American artist friend and I spontaneously decided to sign up for a small booth at the bi-annual Tokyo Design Festa, a giant arts and craft convention that happens in Tokyo every May and November. I didn’t have any art on hand and I definitely did not want to show up as a first-time exhibitor empty-handed–so I furiously whipped up my first self-published 30-page comic zine “Milk and Moo” just in time for the event. Note to new artists, there is nothing like a convention deadline to really force yourself to kick your own butt to get something done.

This was back in 2008, and I had no idea that a zine culture even existed. When I moved back to Los Angeles, I made serendipitous connections with fellow artists in 2010 who introduced me to the zine scene and really got me hooked to showing comic zines at zine conventions.

CBT – What projects have you completed? Currently working on?

Yumi – I’ve self-published about eight comic zines in the last four years, ranging from illustrated guides on meditation to short comic story collections. My most recent self-published comic zine was a 50-page autobiographical diary comic of my travels in Paris and Rome.

Things I’m currently working on? I’ll definitely be releasing more self-published comics about meditation and mindfulness (people seem to really like those), and more short comic story collections. And since the world always needs more self-love and creative inspiration, I’m thinking of releasing a comic zine that deals specifically with self-love and staying inspired as an artist.

I’m also working on a longer fictional comic project right now, longer than anything I have ever made. It’s kind of a secret so either a lot of people will get to read it once it’s done or I won’t finish it and no one will ever know about it. Hopefully it will be the former and not the latter.

CBT – How long have you been in the art world? What inspired you to pick up the pencil/pen and create?

Yumi – I honestly don’t know what counts as being in the art world! I was in my first group art show in 2008 that wasn’t an art school student campus gallery show, so maybe since then? As for what inspired me to pick up the pencil / pen and create, I’ve always been drawing and doodling since I was a small kid, and drawing is the perfect medium to express yourself when you’re a really painfully shy kid and you’re trrified of talking to people.

CBT – As an artist, conventions and other means of showcasing are pretty important to promote your work. Have you attended conventions?

Yumi – Yes! I’ve attended maybe 6 different comic and zine conventions in the last few years and I really love the convention scene. For 2013, I’m really excited that I will be tabling away from the West Coast for the first time ever–at the Brooklyn Zine Fest in April and at the Toronto Comics and Arts Festival in May. Come visit my table if you think you’ll be going to either of those events!

I always make the coolest new friends and discover amazing new artists at every convention event. Seriously, I feel like there is a significantly lower percentage of douchey, pretentious creative types in the zine scene compared to other creative scenes or maybe I have just been really lucky with the people I’ve met. That, and I love having the opportunity to share my work with new people and connect in real-time with people who have seen my work previously on the internet or elsewhere.

If you are just starting out as a comic book artist, then I really recommend signing up for a table or a booth at a comic convention. Even if you don’t sell that many comics in the beginning, you get so much from the whole experience.

CBT – What is your best Convention memory?

Yumi – I think my best convention memory is the first comic and zine convention I’ve ever attended in 2010. I was crammed in one car with three other zine friends and left at 3 in the morning from Los Angeles to arrive just in time in Sacramento at around 10 A.M. to table at Indy Euphoria. I was only there for one day and I hitched a ride back to Los Angeles with another friend that same night. That convention memory is particularly special to me because that was the first time I had the chance to meet Dylan Williams, the late founder of Sparkplug Comic Books. It was at the convention when he actually bought copies of my first comic zine from me to distribute through Sparkplug and as a total newbie, I was so blown away by the possibility that complete strangers would really take a genuine interest in reading my comics. I feel so fortunate to have met him at that time and one more time before his unfortunate passing in 2011.

CBT – Things can be a bit difficult getting into the comic business. What encourages you to continue?

Yumi – I honestly don’t think much about the difficulty of getting into the comic business. Not because I naively think it won’t be difficult for me or anything like that, more so because I’m much more preoccupied on a narcissistic, mundane level with the daily difficulty of motivating myself every single day to find the time and the inspiration to move forward with my comic projects, regardless of busyness or creative blocks.

What keeps me going? Fan mail from an eleven-year-old girl. Complete strangers from countries I’ve never visited ordering my zines online. Seeing my self-published comics on display in my favorite independent bookstores. Kind messages from strangers. The painstakingly slow progress I make as an artist with every new project I finish. Being held accountable to my inner eleven-year-old who always dreamed of becoming a cartoonist.

CBT – Have you done work for other publishers?

Yumi – I’m actually working on something with another comic publisher. I can’t disclose too much information for the moment and more details will be revealed later in 2013. Stay tuned!

CBT – What do you enjoy most about doing comics?

Yumi – I think comics is the best creative medium for me to fully and honestly express myself as an artist and as a human being. Growing up, I was always torn between wanting to become a writer and wanting to become an artist; thankfully with comics, you can do both things at the same time.

CBT – With the year of rebirths and reboots, do you feel it contributes well to the comic business or takes the interest away from longtime readers?

Yumi – I’m the worst person to ask this question. I haven’t actually read any rebirth or reboot comic storylines.

CBT – Who is your favorite comic book artist? Favorite title or series that features his/her art?

Yumi – What a difficult question! I have many favorite comic book artists that changes with what I am interested in at the moment, but I always find myself revisiting again and again “Skim” illustrated by Jillian Tamaki and written by Mariko Tamaki. Coming-of-age stories with interesting female teenage protagonists are my personal catnip.

CBT – What comic book character would you find easy to relate to?

Yumi – This is a Japanese manga character, but I can relate too well with Maruko from the shoujo manga series “Chibi Maruko-Chan.” She’s lazy and disorganized, and prone to retreating to her own imaginary world a lot, just like me. (I can’t relate, however, to her immense dislike of nattou)

As for an American comic book character, this may be an extreme cliche answer but I think Charlie Brown and I would have had a lot of great coffee hang-outs. I was a pretty melancholy kid prone to over-nostalgizing my own childhood experiences in my head as they were happening in real time.

CBT – What would you consider your greatest piece to date?

Yumi – I don’t know if this would be my greatest, but I will always have a huge fondness for my first self-published comic story “Milk and Moo.” There is a wonderful magic that comes out of having no idea what you’re doing but somehow getting it done anyway.

CBT – For those who want to have a start in illustration, what advice would you share with them?

Yumi – Give the world as many opportunities as possible to see your artwork. Have a regularly updated art blog. Show your work at shows. Exhibit at conventions. Meet other artists. Make friends with artists whose skills and work ethic intimidate the shit out of you. Being an artist can be a lonely business, so find a community of artists you can join or make your own community. Find excuses to get your illustration out there, whether it’s volunteering to illustrate for a someone’s music event flyer or challenging yourself to publishing a weekly web comic with a friend.

In the beginning, all of this may seem like shooting darts in the dark. It is all worth it for the momentum that you create for yourself that will carry you over to your next great opportunity.

CBT – Thank you very much! Is there anything you’d like for us to be on the lookout for?

Yumi – Since so many people have asked about this, I will be releasing a limited artist booklet print of my emo-comic “I Think I Am In Friend-Love with You” sometime this month (January). If you are looking for the perfect not-so-subtle gift to give to your friend-crush for Valentine’s Day, this is it.

>Click Images for Bigger Versions<

Check out the sites below to see more of Yumi’s work and updates on her projects!

Bigcartel: yumisakugawa

Facebook: www.facebook.com/yumiverse

Flickr: yumisakugawa

Twitter: @yumisakugawa

Tumblr sketch blog: acrosstheyumiverse

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Hey writers and artists!! As the continuing interest in independent works grows, we want to reach out to the indie community and highlight those who dedicate their time and effort to a passion for their work. Tell us YOUR story! If you know someone that you would like to be featured in this section let us know!

To be featured in Indie Spotlight, please complete the following steps:

Contact us at: dezdewberry@comicbooktherapy.com (Please put “Indie Spotlight” in the subject line)
Provide a short bio and 5-10 pictures if you’re an artist
Sit down, relax and get ready to be contacted back!

Muy Mareado!, Indie Spotlight: Yumi Sakugawa

Review: Savage Wolverine #1

MrComicBook — Thu, 17 Jan 2013 15:19:28 +0000

The writer/artist book seems to have become popular again with the big two publishers. Marvel has enlisted Frank Cho to create a Wolverine book…..which puts Wolverine on the sidelines for most of the issue.

If you read Frank Cho’s Dynamite book Jungle Girl, you already have an idea of what to expect here. It takes place in the Savage Land, and all hell breaks lose rather fast. Cho hasn’t hidden his love of Shanna the She-Devil, and it shows in his writing. She gets some good dialogue compared to the other characters in this book. Granted, most of her dialogue is explaining the trip that the reader just saw themselves. Savage Wolverine #1 isn’t written well, but it shows a lot of potential. It could be a fun and outlandish book. Cho misses a great opportunity for humor, instead going for straight seriousness. The recent Avenging Spider-Man arc in the Savage Land used the absurdity of the land rather well. Wolverine can’t stay in the Savage Land forever, so Shanna will have to make a trip to the Jean Grey School sooner or later, which is a situation ripe with humor.

Wolverine doesn’t fare well in this issue. It’s clear from the start that Cho wanted this book to be a Shanna ongoing, but Marvel thought it wouldn’t sell. So Cho threw Wolverine into it so that it would sell. He barely speaks, and narrates every little thing he does. The reader doesn’t need to be told he just killed someone when we saw the head flying across the panel. The narrations go away once Wolverine bumps into Shanna, which betters the issue. If the next few issues have the same problems, maybe Marvel should bring a cowriter aboard for a while. Help Cho get his ideas out more effectively. If I had any control over the books Marvel published, they would have turned this into a Shanna book instead. Wolverine has enough books, and Marvel has been succeeding recently with B and C lister books. If the book is good, it will sell. Also, this would be a MAX book. Cho could pencil the nudity that he terribly wants to pencil.

At this point in Frank Cho’s career, everyone knows what to expect from his books. Lots of dinosaurs, cavemen, and scantly clad women. Every other shot of Shanna has her standing in a provocative position with her boobs almost hanging out. With the story being serious in nature, the amount of boobs sticks out that much more (no pun intended). If Savage Wolverine had been more lighthearted and over the top, the boobs would have felt natural (I seriously didn’t mean that pun either). Savage Wolverine is one great looking comic though. Every character is very expressive and detailed, and the lush jungles are beautiful. The contrast of wide screen panels and small panels is used well to convey the fighting. Cho’s amazing art is going to be the big draw on this book for some time.

Savage Wolverine is going to be a bubble book for some time. If the writing can improve, and the tone can shift a little bit, we have ourselves a great book. But if not, we have a dud.

Savage Wolverine #1 gets 3/5.

MrComicBook, Review: Savage Wolverine #1

Top 8 Vehicles of Television

Josh "ecksmanfan" Johnson — Thu, 17 Jan 2013 06:07:26 +0000

There have been many teams and duos throughout television history and many of the significant ones have had a top notch vehicle to get them where they need to be and at times, act as a safe haven for their owners. Some, however, were just there to make them look good and that’s it. Often times, these vehicles are more recognizable than the people that drove them, especially if you’re David Hasselhoff outside of Germany (why do they love him so much?!). So, I thought it time we give these stand-out vehicles a nod and place them on the pedestal they deserve to be on.

Now, I understand this isn’t the most geeky thing to be highlighting, but when I’m not slaving away for the militant owner of this site, I’m slobbering and drooling over vehicles that I wish to someday own. Not to mention, some of these vehicles have graced the pages of our beloved comics in the past. As with many of the lists you’ll see me post, these are in no particular order. How do you put a level of awesomeness on these things, really?

A-Team G15 Van
1983 GMC Vandura
Van/Minibus
5.2 Liter V-8
When you think of a group of bad-asses, the A-Team should be at the top of your list. If it isn’t, please leave your man-card on the table as you escort yourself out of the building. This team, which consisted of H.M. Murdock, B.A. Baracas, Hannibal Smith and Templeton “Faceman” Peck, used this van for many things, anything from an every day vehicle to a battering ram to a full-on assault vehicle. But no matter what, this beast made it through everything. The van was revived for Joe Carnahan’s film adaptation and fans couldn’t help but giggle a little bit when the van made its appearance.

Supernatural “Baby”
1967 Chevy Impala
Sedan
V8 427 4 Barrel
While my opinion of Supernatural has changed over the years, one thing that remains the same is my love for this classic American car. This vehicle makes me happy in ways an inanimate object should. The sound of the metal doors creaking as they open and close, the rumble of the exhaust and the simplistic back paint, what’s not to love? At the end of season five, Chuck sums things up nicely by calling the Impala “the most important object in the universe.” The classic rock soundtrack that is always present on the show never hurts either. This is a classic car for a pair of brothers that do what “Murica” does best: kick ass!

Starsky & Hutch Torino
1975-1976 Ford Gran Torino
Coupe
351 Windsor V-8 4 Barrel
The paint job is just as iconic as the car itself. When one sees this classic look on a car, only one show (or movie for the younger crowd) comes to mind: Starsky & Hutch. While the car may not have been the biggest and baddest muscle car ever made, you wouldn’t know by looking back at the series. Originally, a Chevy Camaro was to be the car of choice, as show creator William Blinn fondly remembered his convertible he owned. But being that the leasing program was through Ford, they opted for a Ford Gran Torino, which featured the famed 351 Windsor V8 engine and the now iconic red and white paint theme. The rest, as they say, is history. Talk about a good move!

Classic Batmobile
1955 Lincoln Futura Concept
Modified
351 V8
You didn’t think I’d make a list like this and not include this car, right? Despite it being over 50 years old, this car is still considered to be among the top Batman vehicles ever, movies, TV or comics; not to mention of any famous vehicles…ever. Hence its inclusion here. The car cost a whopping $125,000, which doesn’t sound like much for a fully custom vehicle, but if you factor in inflation, you’d be looking at a vehicle with a value of about $2 million today. Everything about this car is custom made, including the “bing bong” warning bell and the sender/receiver computer in the trunk.

Dukes of Hazzard General Lee
1969 Dodge Charger
Coupe
318, 383, & 440 CID V8 big block (Varied depending on use)
When I was a kid, nothing impressed me more than seeing Bo and Luke Duke racing to the General Lee, sliding across the hood and climbing through the window to head off on a back-country, high speed chase. I wanted to be a Duke more than anything. To this day, whenever I see an old Charger, I can’t help but smile. Fun fact: anywhere from 250 to 300 Dodge Chargers were used- and wrecked- during the taping of The Dukes of Hazzard. They often times would recycle parts to fix some of the cars up to reuse them. Even more cop cars were damaged during film. Sadly, whenever this car makes appearances now, the Confederate flag that is featured on the roof will no longer be used.

Green Hornet Black Beauty
1966 Chrysler Crown Imperial
Sedan
440-C.I. V8
You want to talk assault vehicle? The Chrysler Imperial that was used for Black Beauty not only had a drastically modified exterior, but the gizmos and weapons that were included make the Batmobile look like a Barbie Power Wheel. The car was able to launch rockets via tubes below the headlights, a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grill, and the capabilities to launch a video surveillance device- or scanner- from a hidden compartment. Just to name a few things. The car featured a one-of-a-kind paint job that included 30 layers of black paint. For the 2011 remake, the car kept to the same concept, but upped the ante and was easily the highlight of the film.

Knight Rider KITT
1982 Pontiac Trans Am
Coupe
5.0L V8
Before David Hasselhoff was running around in little red shorts, he was behind the wheel of this super smart, ultra computerized Trans Am. KITT, which stands for Knight Industries Two Thousand), has literally dozens of high-tech upgrades: turbo boost, Etymotic Equalizer (he could hear), Olfactory Sensor (he could smell), Silent Mode, Oil Jets/Smoke Screen, Flame Thrower and Ultramagnesium Charges. That list could go on for some time, but I’ll hold off on the awesomeness. Take all that and drop it into one of the most iconic cars of the 80′s (it’s still quite popular among folks with a mullet and have a hankerin’ for pork rinds) and you have yourself a pretty bad-ass whip.

Magnum, PI Ferrari
1977 Ferrari 308 GTS
Targa Coupe
2.9 L FI V8
When you mention the classic series Magnum, PI, most people will remember Tom Selleck’s luscious push-broom mustache or his ridiculously short shorts. But not me. What I remember most is that bright red, targa-topped Ferrari 308, a car that some enthusiasts to be among the most beautiful cars that the Italian automaker has ever produced. I couldn’t agree more. This care was able to bring down the fastest of getaway cars and looked damn good doing it. This thing is about 14 levels of pure awesomeness.

I have to list a few honorable mentions, as they are just too cool to leave off, so I have to at least give them a bit of love:
19986 Ferrari Testarossas from Miami Vice
1976 Austin Mini from Mr. Bean
1980 GMC Pick-up from The Fall Guy
Th Munster Koach from The Munsters
The Mystery Machine from Scooby Doo

What are your favorite cars from television? I know there are some that I missed, but the important ones are here and I’d be more than happy to take anyone of these home. Now if I only had someone to buy them for me…

Josh "ecksmanfan" Johnson, Top 8 Vehicles of Television

A Heroes for Hire Movie from Marvel?

Josh "ecksmanfan" Johnson — Wed, 16 Jan 2013 00:09:53 +0000

It’s quite likely that a new Heroes for Hire comic is headed our way this year, with the classic duo of Luke Cage and Danny Rand- Power Man and Iron Fist-, which will be written by Brian Bendis. However, this run will also feature Jessica Jones and her child, who is fathered by Luke Cage. But what about a film based on the duo? It’s been rumored for some time now that a Luke Cage film may be in production, with several actors throwing their names in the hat to play the lead role. There have also been some very minor rumblings of a movie based on Iron Fist as well, but nothing that has really gained much traction.

While talking with BuzzFeed, Marvel’s TV head honcho, Jeph Loeb, talked about the the Ultimate Spider-Man series and the different characters involved with that show, including Luke Cage and Danny Rand. Loeb had this to say:

“Just like we just announced Guardians of the Galaxy, we are certainly looking at the Heroes for Hire franchise which is Luke Cage and Iron Fist…”

Does this mean we are getting a movie centered on the Heroes for Hire? Possibly, but at least we know that Marvel is certainly considering the concept, and maybe more so that we all originally thought. Obviously, I’d suggest a bit of salt to go with this news. Would you rather see a Heroes for Hire film or introduce each of the character individually first and team them in a later film? I have to say, it may be a better option to combine the two and get a kick-ass action flick from this odd, but awesome pairing.

Josh "ecksmanfan" Johnson, A Heroes for Hire Movie from Marvel?

New Synopsis For CW’s Amazon Emerges

Cody "The Thorverine" Ferrell — Sun, 13 Jan 2013 18:04:53 +0000

A new log line for CW’s proposed Wonder Woman origin series called Amazon has emerged in a new issue of Production Weekly (thanks to @_NerdyGeek_ ) listing info on new TV series and movies. The show will features a young Wonder Woman before she dons the bracelets, tiara, and lasso in a new world she doesn’t understand. The CW’s Smallville-esque Wonder Woman series is in active development, and based on a report a few months ago, looking for its leading lady. The log line names the character Iris, but as Geoff Johns stated when the news of the story first hit it’s just a codename to “avoid speculation.” Check out the synopsis that’s dripping with CW-ness and let us know what you think.

Chronicles female superhero’s life as a young Amazonian, before she becomes a warrior princess with super powers. Iris, comes from a remote, secluded country and until now has spent most of her life as a soldier and a leader on the battlefield. Because of relentless brutality of her life at home, Iris looks at our world with absolute awe and astonishment. She’s delighted -and just as often horrified – by the aspects of everyday life that we take for granted: skyscrapers, traffic, ice cream. It’s all new and fascinating and sometimes slightly troubling – to her. Iris is completely unschooled in our world, our culture, our customs. And she’s completely inexperienced at interpersonal relationships. She has no social filter, does not suffer fools, and tends to do and say exactly what’s on her mind at all times. She’s bluntly, refreshingly honest. She can tell when you’re lying to her. And she doesn’t have time or patience for politics or tact because she’s too busy trying to experience everything our world has to offer. There are too many sights to see – and things to learn – and people to care for. Hers is a true, noble, and generous heart. And she will fight and die for the people she loves. Iris is a fierce warrior with the innocent heart of a romantic – and she will fight to the death to make the world safe for innocents and true romantics everywhere.

Cody "The Thorverine" Ferrell, New Synopsis For CW’s Amazon Emerges

Michael Bay’s Ninja Turtles Movie Starts Shooting Soon

Cody "The Thorverine" Ferrell — Sun, 13 Jan 2013 06:43:26 +0000

We all know the story by now. Michael Bay is producing a new Teenage Mutant Ninja Turtles live-action film that will be directed by Jonathan Liebesman. The turtles are supposedly no longer teenage or mutant. The film was met with extreme displeasure from fans when details from the script emerged. In fact the whole script leaked online and many who read it thought it was fake due to all of the oddball choices it took story wise. Not long afterwards the film was put on hold to dial back the budget and rewrite most of the script. It seems like Paramount Pictures is now happy with the rewrite.

Production Weekly, who are usually very reliable when it comes to things like this, report that the film will start shooting in New York this April. New York and April, how appropriate.

Principle photography on TEENAGE MUTANT NINJA TURTLES, is scheduled to begin this April in New York.

— Production Weekly (@prodweek) January 12, 2013

No word other than that. I would say it’s a safe bet that some of the things that caused so much fan discord has been tweaked or completely changed. With principle photography beginning so soon, it should be no time at all until we hear some solid casting info. What do you think? Are you saying this one is out for the count or should we wait to hear what’s changed?

Cody "The Thorverine" Ferrell, Michael Bay’s Ninja Turtles Movie Starts Shooting Soon

Bendis, Aaron & Cho Prepare For War In AVENGERS VS. X-MEN #0

Agent Burgos — Tue, 31 Jan 2012 22:18:24 +0000

Just before the Avengers and the X-Men go head to head, superstar creators Brian Michael Bendis, Jason Aaron & Frank Cho set up the crucial roles of the Scarlet Witch and Hope Summers before their allegiances come into question.

With all eyes on Wanda and the Mutant Messiah, the Marvel Universe has become a powder keg on the verge of exploding! No fan can miss Avengers VS. X-Men #0, in stores and the Marvel Comics app this March!

You’ve heard It’s Coming—and this April The War Is Here in Avengers VS X-Men! All your favorite super heroes enter—and only one team will emerge victorious!

Which team will reign supreme? Join the conversation on Twitter with #AvX!

For more on Avengers VS X-Men, please visit http://avx.marvel.com

AVENGERS VS. X-MEN #0 (JAN120622)
Written by BRIAN MICHAEL BENDIS & JASON AARON
Art & Cover by FRANK CHO
FOC – 3/5/12, ON SALE – 3/28/12

AVENGERS VS. X-MEN #1 (JAN120625)
Written by BRIAN MICHAEL BENDIS, JASON AARON, MATT FRACTION, JONATHAN HICKMAN, ED BRUBAKER
Art by JOHN ROMITA JR.
Cover by JIM CHEUNG
FOC – 2/27/12, ON SALE – 4/3/12

Agent Burgos, Bendis, Aaron & Cho Prepare For War In AVENGERS VS. X-MEN #0