Now, I understand this isn’t the most geeky thing to be highlighting, but when I’m not slaving away for the militant owner of this site, I’m slobbering and drooling over vehicles that I wish to someday own. Not to mention, some of these vehicles have graced the pages of our beloved comics in the past. As with many of the lists you’ll see me post, these are in no particular order. How do you put a level of awesomeness on these things, really?

A-Team G15 Van
1983 GMC Vandura
Van/Minibus
5.2 Liter V-8
When you think of a group of bad-asses, the A-Team should be at the top of your list. If it isn’t, please leave your man-card on the table as you escort yourself out of the building. This team, which consisted of H.M. Murdock, B.A. Baracas, Hannibal Smith and Templeton “Faceman” Peck, used this van for many things, anything from an every day vehicle to a battering ram to a  full-on assault vehicle. But no matter what, this beast made it through everything. The van was revived for Joe Carnahan’s film adaptation and fans couldn’t help but giggle a little bit when the van made its appearance.

Supernatural “Baby”
1967 Chevy Impala
Sedan
V8 427 4 Barrel
While my opinion of Supernatural  has changed over the years, one thing that remains the same is my love for this classic American car. This vehicle makes me happy in ways an inanimate object should. The sound of the metal doors creaking as they open and close, the rumble of the exhaust and the simplistic back paint, what’s not to love? At the end of season five, Chuck sums things up nicely by  calling the Impala “the most important object in the universe.” The classic rock soundtrack that is always present on the show never hurts either. This is a classic car for a pair of brothers that do what “Murica” does best: kick ass!

Starsky & Hutch Torino
1975-1976 Ford Gran Torino
Coupe
351 Windsor V-8 4 Barrel
The paint job is just as iconic as the car itself. When one sees this classic look on a car, only one show (or movie for the younger crowd) comes to mind: Starsky & Hutch. While the car may not have been the biggest and baddest muscle car ever made, you wouldn’t know by looking back at the series. Originally, a Chevy Camaro was to be the car of choice, as show creator William Blinn fondly remembered his convertible he owned. But being that the leasing program was through Ford, they opted for a Ford Gran Torino, which featured the famed 351 Windsor V8 engine and the now iconic red and white paint theme. The rest, as they say, is history. Talk about a good move!

Classic Batmobile
1955 Lincoln Futura Concept
Modified
351 V8
You didn’t think I’d make a list like this and not include this car, right? Despite it being over 50 years old, this car is still considered to be among the top Batman vehicles ever, movies, TV or comics; not to mention of any famous vehicles…ever. Hence its inclusion here. The car cost a whopping $125,000, which doesn’t sound like much for a fully custom vehicle, but if you factor in inflation, you’d be looking at a vehicle with a value of about $2 million today. Everything about this car is custom made, including the “bing bong” warning bell and the sender/receiver computer in the trunk.

Dukes of Hazzard General Lee
1969 Dodge Charger
Coupe
318, 383, & 440 CID V8 big block (Varied depending on use)
When I was a kid, nothing impressed me more than seeing Bo and Luke Duke racing to the General Lee, sliding across the hood and climbing through the window to head off on a back-country, high speed chase. I wanted to be a Duke more than anything. To this day, whenever I see an old Charger, I can’t help but smile. Fun fact: anywhere from 250 to 300 Dodge Chargers were used- and wrecked- during the taping of The Dukes of Hazzard. They often times would recycle parts to fix some of the cars up to reuse them. Even more cop cars were damaged during film. Sadly, whenever this car makes appearances now, the Confederate flag that is featured on the roof will no longer be used.

Green Hornet Black Beauty
1966 Chrysler Crown Imperial
Sedan
440-C.I. V8
You want to talk assault vehicle? The Chrysler Imperial that was used for Black Beauty not only had a drastically modified exterior, but the gizmos and weapons that were included make the Batmobile look like a Barbie Power Wheel. The car was able to launch rockets via tubes below the headlights, a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grill, and the capabilities to launch a video surveillance device- or scanner- from a hidden compartment. Just to name a few things. The car featured a one-of-a-kind paint job that included 30 layers of black paint. For the 2011 remake, the car kept to the same concept, but upped the ante and was easily the highlight of the film.

Knight Rider KITT
1982 Pontiac Trans Am
Coupe
5.0L V8
Before David Hasselhoff was running around in little red shorts, he was behind the wheel of this super smart, ultra computerized Trans Am. KITT, which stands for Knight Industries Two Thousand), has literally dozens of high-tech upgrades: turbo boost, Etymotic Equalizer (he could hear), Olfactory Sensor (he could smell), Silent Mode, Oil Jets/Smoke Screen, Flame Thrower and Ultramagnesium Charges. That list could go on for some time, but I’ll hold off on the awesomeness. Take all that and drop it into one of the most iconic cars of the 80′s (it’s still quite popular among folks with a mullet and have a hankerin’ for pork rinds) and you have yourself a pretty bad-ass whip.

Magnum, PI Ferrari
1977 Ferrari 308 GTS
Targa Coupe
2.9 L FI V8
When you mention the classic series Magnum, PI, most people will remember Tom Selleck’s luscious push-broom mustache or his ridiculously short shorts. But not me. What I remember most is that bright red, targa-topped Ferrari 308, a car that some enthusiasts to be among the most beautiful cars that the Italian automaker has ever produced. I couldn’t agree more. This care was able to bring down the fastest of getaway cars and looked damn good doing it. This thing is about 14 levels of pure awesomeness.

I have to list a few honorable mentions, as they are just too cool to leave off, so I have to at least give them a bit of love:
19986 Ferrari Testarossas from Miami Vice
1976 Austin Mini from Mr. Bean
1980 GMC Pick-up from The Fall Guy
Th Munster Koach from The Munsters
The Mystery Machine from Scooby Doo

What are your favorite cars from television? I know there are some that I missed, but the important ones are here and I’d be more than happy to take anyone of these home. Now if I only had someone to buy them for me…

Josh "ecksmanfan" Johnson, Top 8 Vehicles of Television

Marvel touts the series as giving readers a “rare glimpse into the ultimate nihilist’s early days on his far-off home planet Titan” and the life events that lead him down his path of cosmic villainy. Aaron promised that the origin story is literally that, starting with the Mad Titan’s birth. The series will have some new characters, but there will be several familiar names including Thanos’ father Mentor and his mother Sui-San. Aaron talked about the question that runs through the series:

Well, that’s really the main question of the book. Who is Thanos? When the book starts, even Thanos doesn’t know the answer to that question. It’s the pursuit of that answer that begins to take him to some very dark places. This is not a super hero story. There are no good guys swooping in to save the day here. This is the origin story of a very bad dude. A cosmic mass murderer.

This past summer I had the opportunity to speak with Jim Starlin about the first proposed Thanos origin story, and he shared his thoughts on that (you can find that here). Starlin laid down a lot of history for his creation, but Aaron will be going through pulling it all together and giving it a slight twist. Aaron is sticking to Starlin’s work and talks about how he will continue on from what has already been written:

Jim Starlin of course had already laid down a lot of the pieces of Thanos’ origin, but they were spread out in several different stories written over the course of several years. THANOS RISING combines all those pieces and also fills in a lot of the cracks. I think it’s true to Starlin’s original ideas for the character, while also expanding on some aspects of the origin, and playing around a bit with the dark romance part of the character’s history.

The series starts in April, but as of now there is no word on how long the miniseries will run. Thanos Rising will serve as an entry points for people who just found out about the Mad Titan through The Avengers, but old fans will also get something out of it. Aaron has been writing some great stuff the past few years with Scalped and his recent Thor, so it will be interesting to see what he brings to Thanos. Bianchi’s art is great so that’s an added bonus. You can read the full interview to see what Bianchi had to say about redesigning a young Thanos by clicking here. What do you think about the proposed series? Will you be picking this one up?

Cody "The Thorverine" Ferrell, Jason Aaron To Write Thanos Origin Series: Thanos Rising

The Godyssey tells of the Gods of the grand pantheon, including Zeus, Buddha, Ra and Pangu, are forced to join together in a battle against fallen gods to save mankind. While Jesus Christ plays a part in the comics, he apparently will not be included in the film. It is still early in the planning stages, so writers and a director have yet to be signed on to the project.

As mentioned earlier, the Deadpool film is still resting in development hell. Tim Miller is still attached to direct, with Ryan Reynolds still signed to play the Merc with a Mouth. Garner has a history with Liefeld, as the he took part in bidding for Planet Terry pitch while serving as Revolution’s president of production. That project ended up at New Line with LIefeld and Weaver producing.

Josh "ecksmanfan" Johnson, Liefeld’s ‘The Godyssey’ is Headed to the Big Screen

Garth Ennis is know for a few things.  Dark atmosphere and a plethora of violence are two of them.  And his new ongoing, The Shadow, is full of both of those.  Oh, and World War II as well.

Garth Ennis does a good job of giving readers a great sense of who this character is. This reviewer wasn’t familiar with the Shadow, but having Ennis’ name on the front is a great reason to read the book.  After reading the book though, anyone could describe who the Shadow is.  At least enough to get people to read the book.  As with anything else Ennis writes, the book is very dark.  The issue opens with a description of what the Japanese occupation of a country was like.  It’s brutal, and sets the tone well for what Ennis has planned. The World War II setting is used well.  It’s hard these days to use World War II as a setting, as many comics are using it.  Between superhero books, noir books, a book needs to set itself apart from the rest of those books.  This reviewer is a history major, and his facts are right, which makes everything you read after that much more interesting.  The Shadow and his supporting players are set up very well.  The reader gets a good grasp of who they are, how they relate to the Shadow or his secret identity, and how they feel about the Shadow.  They are all compelling and it makes the reader want to come back next month to see what is going to happen next.

One thing that doesn’t work is the complete lack of explanation of how the Shadow works.  The character is very interesting, little to nothing is explained about how he has the wonderful gifts.  The powers are good in their own right, but at least give a hint.  Comic books are a medium all about hints and teases, so doing nothing about this is a bad move.  Garth Ennis is a great writer though, so this had to be planned.  The Shadow is a licensed property, with a long history, but Ennis seems to be doing his own take.  After a quick Wikipedia search, a power set couldn’t be found.

Aaron Campbell’s art is very similar to Sean Phillips.  The characters are detailed, and the second someone fires a gun, the BLAM looks like a fifth grader drew it.  But the art is good.  It fits the dark atmosphere that Ennis is clearly going for.  The opening scene with the Japanese fits the script well.  If this was a creator owned book, I’m sure Campbell could have pushed the boundaries of what the Japanese were doing.  Which makes anyone who thinks about it start to cringe at the thought.  And comparing anyones art to Sean Phillips is nothing but a compliment.  The Shadow looks like a force of nature instead of a vigilante, which is a great idea.  The book has a pulpy look to it, which is good for paying homage to the character’s origin.  Campbell has a great future ahead of him.

The Shadow starts off right, but could have been a lot better.  But it’s safe to say that anyone who reads the book will be around next month to see what happens next.

The Shadow #1 gets 3.5/5.

MrComicBook, The Shadow #1 Review