For a couple years now, there have been two rumors floating around concerning Zombieland, with the most logical being that a sequel was in the works, which is kind of has. Writers have been trying to come up with something, but it doesn’t look like anything will actually come of it. The second rumor is that a television series was being worked on for CBS and oddly enough, that’s the project that may be moving forward, as a casting call just went out.

According to I09, the call went out to cast the series main characters, which would carry over from the film. There are some minor spoilers ahead, so read on with caution. Below are some abbreviated descriptions for the characters, which also includes a couple of new characters. the series looks to delve into the back story of our four heroes.

Tallahassee is still kind of a snarky weirdo, but he seems to have a much less spiky relationship with Columbus. He and Columbus have a pretty amusing thing where they riff on the fact that Steven Seagal movies always have three-word titles like “Marked for Justice” or “May Cause Diarrhea.” But Tallahassee also dispenses homespun wisdom about how to feel happy with your life. He also tells a weird story about being in a trailer park with a perpetually nude Matthew McConaughey. He also has a somewhat heartwarming scene where he tells Columbus that he’s been wandering aimlessly for a long time, but maybe he’s been put here for a reason — to help Columbus and the others.

Columbus is much the same, except that he tracks down his grandma and grandpa (Bubbie and Peepaw) only to find them recently zombiefied. Also, Columbus is trying to deal with his new-found relationship with Wichita, after their first kiss. He has started calling her “Krista,” her real name — but there are some problems, especially after she finds him reading a book about fatherhood. He tries to organize a romantic scavenger hunt for her in the IKEA they’re camping out in, but it goes kind of horribly.

Wichita is still trying to look after Little Rock, trying to teach her math with problems about someone stealing from a liquor store and jumping on a train going 42 miles per hour, with a cop chasing in a car going 88 miles per hour. We also learn a lot more about Wichita’s backstory, including how she ran away from her father after he had her stealing people’s Christmas presents — and later, she found out she had a sister who was also being a grifter with her dad.

Little Rock seems actually kind of excited about meeting Columbus’ grandparents, before they turn out to be zombies. And she shares some of her own backstory, about how her dad parked her at a school while he went off grifting on his own — and then yanked her out of school right before a dance that she was looking forward to.

Fred and Ainsley are two office workers at the start of the zombie apocalypse, obliviously complaining about problems with their iPhones and getting the wrong order at Starbucks, which they admit are “first world problems” with a hashtag — while people are being disembowled just outside the window they’re not facing. Tallahassee shows up to bring them their lunch orders, wearing a green polo shirt.

As you can see, the writers plan to keep much of the same tone to the series that helped make the movie so enjoyable. Not unsurprisingly, they seem to be making the relationship between Columbus and Wichita the main focus, but also seem to be making a family out of the group. Not a terrible concept, especially considering they series will be a half-hour comedy. Things look promising!

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UPDATE! It’s been revealed by Broadcast that this series will actually end up streaming on Amazon, rather than be a traditional aired TV series, much like the resurgence of the cult favorite Arrested Development. No mention of time frame, but as with Netflix, it can be expected that Amazon won’t be restrained by the usual “seasons” as with traditional television series.

Josh "ecksmanfan" Johnson, Updated! Zombieland TV Series Begins Casting Process

A horse shot my parents in an alley when i was a young boy. RT @shaunh22: @ssnyder1835 Why don’t you like horses?

— Scott Snyder (@Ssnyder1835) January 16, 2013

A horse shot my Uncle Ben. RT @juventuz: @ssnyder1835 Read Batman 16 finally, you got something against horses? — Scott Snyder (@Ssnyder1835) January 17, 2013

As a boy, I thought a horse killed my father. He was my father RT @broughstuff: Batman #16 was awesome, but what’s snyder got against horses — Scott Snyder (@Ssnyder1835) January 17, 2013

I hate horses. RT @taitanorules555: @ssnyder1835 do you hate horses because why did you make freeze kill a freaking horse? — Scott Snyder (@Ssnyder1835) January 18, 2013

Mr. Snyder continues to avoid answering the hard hitting question of why he dislikes horses. The writer seems to have a personal vendetta against our equine friends. Where does this deep-seated hatred come from? One could not venture to guess, but we have obtained this footage of someone taking their hatred from the land of fantasy to the reality. Is that Scott Snyder punching a horse in the face? It’s not for us to say, but it does look like him doesn’t it?

GIFSoup

Mr. Snyder continues to taunt fans about horse hatred. Earlier today he sent out the link to the following Amazon review [click to see larger image] through is personal Twitter. This man must be stopped before more fictional horses are destroyed. I propose a petition to prevent Mr. Snyder from ever writing a My Little Pony book. Just think what he would do to them?! *if you can’t tell, this is an article in the style of The Onion making fun of the supposed horse controversy and the gif is from Blazing Saddles.

Cody "The Thorverine" Ferrell, Scott Snyder’s War On Horses Continues

I am Yumi Sakugawa and I am a comic book artist and illustrator based in the Southern California. I am a regular comic / illustrator online contributor to Sadie Magazine and Wonderhowto.

Most recently, my comic zine “Mundane Fortunes for the Next Ten Billion Years and Other Stories” was selected as Notable Comics of 2012 by the Best American Comics anthology editors.

_____________________________________________________

Muy Mareado!, Indie Spotlight: Yumi Sakugawa

Of course the Batman scribe gave nothing big away, but he did whet fans appetites for the big finale:

I can tell you there are definitely some insane moments in the conclusion and some crazy things happen so, I’ve always been braced for it as something that isn’t designed to just shock for the sake of shocking, but is the culmination of the story in a way that feels organic and surprising. I can’t remember who it was, but I had a teacher that gave me a writing quote when I was a student that said ‘Every ending should be both inevitable and totally surprising,’ and I completely believe that. Hopefully this is an ending that feels organic to the story we’ve been telling, and when you get there you’ll say ‘I can’t believe this just happened,’ and at the same time, you’ll feel that it’s a cumulative, horrible thing out of everything that’s been going on.

It’s hard to imagine with a title like Death of the Family that everyone is going to make it out in one piece. While the story won’t conclude the Batman line, it does have some parallels to Dan Slott’s Spider-Man #700. Snyder recalls joking about the conclusion with his friend Slott:

I was actually joking on the phone with Dan Slott after “Spider-Man” #700. I was telling him how I felt so bad because it sounded like things got crazy for him, and he said, “Wait until you get to ‘Batman’ #17! You’ll have the same.” So honestly, maybe I will go be in a bunker somewhere the day that issue comes out. But I believe in the ending very strongly. I believe in the story beat we’re headed towards.

Two pages of Greg Capullo’s art have also been released to hype up the highly anticipated finale. Issue #16 was an absolute treat. The two page spread featuring the “throne room” was stunning. What do you think will happen in the final pages of Death of the Family?

Cody "The Thorverine" Ferrell, Scott Snyder Teases Death Of The Family Conclusion: Plus Preview Pages

Now, I understand this isn’t the most geeky thing to be highlighting, but when I’m not slaving away for the militant owner of this site, I’m slobbering and drooling over vehicles that I wish to someday own. Not to mention, some of these vehicles have graced the pages of our beloved comics in the past. As with many of the lists you’ll see me post, these are in no particular order. How do you put a level of awesomeness on these things, really?

A-Team G15 Van
1983 GMC Vandura
Van/Minibus
5.2 Liter V-8
When you think of a group of bad-asses, the A-Team should be at the top of your list. If it isn’t, please leave your man-card on the table as you escort yourself out of the building. This team, which consisted of H.M. Murdock, B.A. Baracas, Hannibal Smith and Templeton “Faceman” Peck, used this van for many things, anything from an every day vehicle to a battering ram to a  full-on assault vehicle. But no matter what, this beast made it through everything. The van was revived for Joe Carnahan’s film adaptation and fans couldn’t help but giggle a little bit when the van made its appearance.

Supernatural “Baby”
1967 Chevy Impala
Sedan
V8 427 4 Barrel
While my opinion of Supernatural  has changed over the years, one thing that remains the same is my love for this classic American car. This vehicle makes me happy in ways an inanimate object should. The sound of the metal doors creaking as they open and close, the rumble of the exhaust and the simplistic back paint, what’s not to love? At the end of season five, Chuck sums things up nicely by  calling the Impala “the most important object in the universe.” The classic rock soundtrack that is always present on the show never hurts either. This is a classic car for a pair of brothers that do what “Murica” does best: kick ass!

Starsky & Hutch Torino
1975-1976 Ford Gran Torino
Coupe
351 Windsor V-8 4 Barrel
The paint job is just as iconic as the car itself. When one sees this classic look on a car, only one show (or movie for the younger crowd) comes to mind: Starsky & Hutch. While the car may not have been the biggest and baddest muscle car ever made, you wouldn’t know by looking back at the series. Originally, a Chevy Camaro was to be the car of choice, as show creator William Blinn fondly remembered his convertible he owned. But being that the leasing program was through Ford, they opted for a Ford Gran Torino, which featured the famed 351 Windsor V8 engine and the now iconic red and white paint theme. The rest, as they say, is history. Talk about a good move!

Classic Batmobile
1955 Lincoln Futura Concept
Modified
351 V8
You didn’t think I’d make a list like this and not include this car, right? Despite it being over 50 years old, this car is still considered to be among the top Batman vehicles ever, movies, TV or comics; not to mention of any famous vehicles…ever. Hence its inclusion here. The car cost a whopping $125,000, which doesn’t sound like much for a fully custom vehicle, but if you factor in inflation, you’d be looking at a vehicle with a value of about $2 million today. Everything about this car is custom made, including the “bing bong” warning bell and the sender/receiver computer in the trunk.

Dukes of Hazzard General Lee
1969 Dodge Charger
Coupe
318, 383, & 440 CID V8 big block (Varied depending on use)
When I was a kid, nothing impressed me more than seeing Bo and Luke Duke racing to the General Lee, sliding across the hood and climbing through the window to head off on a back-country, high speed chase. I wanted to be a Duke more than anything. To this day, whenever I see an old Charger, I can’t help but smile. Fun fact: anywhere from 250 to 300 Dodge Chargers were used- and wrecked- during the taping of The Dukes of Hazzard. They often times would recycle parts to fix some of the cars up to reuse them. Even more cop cars were damaged during film. Sadly, whenever this car makes appearances now, the Confederate flag that is featured on the roof will no longer be used.

Green Hornet Black Beauty
1966 Chrysler Crown Imperial
Sedan
440-C.I. V8
You want to talk assault vehicle? The Chrysler Imperial that was used for Black Beauty not only had a drastically modified exterior, but the gizmos and weapons that were included make the Batmobile look like a Barbie Power Wheel. The car was able to launch rockets via tubes below the headlights, a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grill, and the capabilities to launch a video surveillance device- or scanner- from a hidden compartment. Just to name a few things. The car featured a one-of-a-kind paint job that included 30 layers of black paint. For the 2011 remake, the car kept to the same concept, but upped the ante and was easily the highlight of the film.

Knight Rider KITT
1982 Pontiac Trans Am
Coupe
5.0L V8
Before David Hasselhoff was running around in little red shorts, he was behind the wheel of this super smart, ultra computerized Trans Am. KITT, which stands for Knight Industries Two Thousand), has literally dozens of high-tech upgrades: turbo boost, Etymotic Equalizer (he could hear), Olfactory Sensor (he could smell), Silent Mode, Oil Jets/Smoke Screen, Flame Thrower and Ultramagnesium Charges. That list could go on for some time, but I’ll hold off on the awesomeness. Take all that and drop it into one of the most iconic cars of the 80′s (it’s still quite popular among folks with a mullet and have a hankerin’ for pork rinds) and you have yourself a pretty bad-ass whip.

Magnum, PI Ferrari
1977 Ferrari 308 GTS
Targa Coupe
2.9 L FI V8
When you mention the classic series Magnum, PI, most people will remember Tom Selleck’s luscious push-broom mustache or his ridiculously short shorts. But not me. What I remember most is that bright red, targa-topped Ferrari 308, a car that some enthusiasts to be among the most beautiful cars that the Italian automaker has ever produced. I couldn’t agree more. This care was able to bring down the fastest of getaway cars and looked damn good doing it. This thing is about 14 levels of pure awesomeness.

I have to list a few honorable mentions, as they are just too cool to leave off, so I have to at least give them a bit of love:
19986 Ferrari Testarossas from Miami Vice
1976 Austin Mini from Mr. Bean
1980 GMC Pick-up from The Fall Guy
Th Munster Koach from The Munsters
The Mystery Machine from Scooby Doo

What are your favorite cars from television? I know there are some that I missed, but the important ones are here and I’d be more than happy to take anyone of these home. Now if I only had someone to buy them for me…

Josh "ecksmanfan" Johnson, Top 8 Vehicles of Television

Marvel touts the series as giving readers a “rare glimpse into the ultimate nihilist’s early days on his far-off home planet Titan” and the life events that lead him down his path of cosmic villainy. Aaron promised that the origin story is literally that, starting with the Mad Titan’s birth. The series will have some new characters, but there will be several familiar names including Thanos’ father Mentor and his mother Sui-San. Aaron talked about the question that runs through the series:

Well, that’s really the main question of the book. Who is Thanos? When the book starts, even Thanos doesn’t know the answer to that question. It’s the pursuit of that answer that begins to take him to some very dark places. This is not a super hero story. There are no good guys swooping in to save the day here. This is the origin story of a very bad dude. A cosmic mass murderer.

This past summer I had the opportunity to speak with Jim Starlin about the first proposed Thanos origin story, and he shared his thoughts on that (you can find that here). Starlin laid down a lot of history for his creation, but Aaron will be going through pulling it all together and giving it a slight twist. Aaron is sticking to Starlin’s work and talks about how he will continue on from what has already been written:

Jim Starlin of course had already laid down a lot of the pieces of Thanos’ origin, but they were spread out in several different stories written over the course of several years. THANOS RISING combines all those pieces and also fills in a lot of the cracks. I think it’s true to Starlin’s original ideas for the character, while also expanding on some aspects of the origin, and playing around a bit with the dark romance part of the character’s history.

The series starts in April, but as of now there is no word on how long the miniseries will run. Thanos Rising will serve as an entry points for people who just found out about the Mad Titan through The Avengers, but old fans will also get something out of it. Aaron has been writing some great stuff the past few years with Scalped and his recent Thor, so it will be interesting to see what he brings to Thanos. Bianchi’s art is great so that’s an added bonus. You can read the full interview to see what Bianchi had to say about redesigning a young Thanos by clicking here. What do you think about the proposed series? Will you be picking this one up?

Cody "The Thorverine" Ferrell, Jason Aaron To Write Thanos Origin Series: Thanos Rising

Speaking with SciFiNow (via Totalfilm.com), Millar praised Mangold’s movie saying the director is brilliant. The movie started filming before Millar got the consultant job, but he has overseen much of the film’s production. Having written one of the best Wolverine stories, Old Man Logan, Millar believes the character is ripe for solo movies:

I don’t think it detracts having individual Wolverine adventures from the X-Men. He’s like a lone wolf character, he disappears and does his own thing sometimes and then he comes back and hangs out at the mansion, so it does feel quite natural for him to be in these movies.

While Wolverine is a favorite among fans, he does have the potential to be overused as can be seen in several comics nowadays. Millar doesn’t want to make that mistake:

You don’t want to have him out there all the time, because I think if you’ve got him in X-Men and Wolverine movies and they’re all running at the same time, it’s a little bit too much but as long as you’re smart with it then there’s a lot of other characters to explore… The X-Men universe is about the same size as the Marvel universe in terms of the number of titles it sustains at any one time, so there’s a ton of stuff to play with there and a lot of characters I’d like to explore there too.

Wolverine has been slightly overused in the past few years. You can’t swing a cat in the Marvel universe without hitting a team he’s on (CBT doesn’t condone swinging cats, it’s just a phrase). Say what you will about Millar, but the man has had a good grasp on the character. We know Wolverine will pop up in Days of Future Past, but maybe we’ll see his appearances scaled back a bit afterwards. What do you think about Millar’s comments? Do you like your Wolverine in moderation?

Cody "The Thorverine" Ferrell, Mark Millar Doesn’t Want To Overuse Wolverine In Movies

This series, a collision of comedy, sex, and violence, follows the misadventures of America’s most dysfunctional family as they go head-to-severed head with an Oprah-loving ax murderer, a cult-crazy soap opera star, and a neo-Nazi prison gang.
First issue: Todd wants desperately to make friends, but every kid he approaches winds up decapitated. Or worse. Meanwhile, Todd’s mother is on a mission to get even with her husband who she believes is having an affair.

Todd, The Ugliest Kid On Earth is a new four issue series with a story by M.K. Perker and Ken Kristensen. The issue is written by Kristensen with art and letters from Perker. Cemal Soyleyen joins the duo by providing colors. Todd is an odd new book, but is it worth checking out?

A new family is moving into their new home when Todd, the ugliest kid on Earth, comes over to try and make friends with the nice little Korean girl. Todd frightens most other children his age because he walks around with a giant paper bag covering his face. But Todd is a nice, sweet kid who just wants to make a friend. That’s hard to do when Mike, the neighborhood bully, and his gang roll up on the scene to harass Todd and cause him to get into trouble. Mike is the little devil that bullies everyone but uses his silver tongue to talk his way into the good graces of the adults. Back at home Todd has to deal with his drunken father and inattentive mother. While watching the news, the family learns of an axe murderer on the loose who targets children. While the news report tells parents to keep their children inside, Todd’s mom wants him to take out the trash…in the rain…with an axe murderer in the area. You might be able to guess what happens. That sets off the comedy of misunderstanding that ensues.

Perker and Kristensen have a truly unique story on their hands. This odd, politically incorrect, and wacky story features a cast of messed up characters and humor that should hook any reader. While it’s hard to say there’s anything quite like Todd, the nearest compression would be something along the lines of The Maxx and The Oblongs. The art is absolutely amazing. Perker along with Soyleyen’s colors make a beautiful book. I mean this as a huge compliment, but it looks similar to what you would see in a children’s book. You have some cartoony looking art with bright and vivid colors. The backgrounds are fantastic and the characters are slightly exaggerated in their face, size, and features.

Bottom Line: Todd, the Ugliest Kid on Earth is a fantastic book like no other. This oddball story features slightly risqué humor with fantastic art. Perker and Kristense have a lot to live up to with the remaining three issues. If it’s anything like the first issue, we’re in for a great ride 5/5

Cody "The Thorverine" Ferrell, Advance Review: Todd, The Ugliest Kid On Earth #1

• It’s off to Jotunheim, the land of the Frost Giants as Bruce Banner and his lab team embark on an all-new secret mission for S.H.I.E.L.D! Caught trespassing by the local natives, they’re going to need the help of the mighty Avenger, Thor!

Waid is excited to get Simonson on the book and having the legendary artist draw Thor again. While Thor will be showing up, the question should be which Thor is showing up? Waid makes an interesting  statement about the Thor we’ll be seeing:

Why on Earth would you have the amazing Walt Simonson aboard and NOT ask him to draw Thor? The teasing question is–which Thor will we be seeing? Banner and his team of assistants build a portal to Jotunheim, land of the Frost Giants, in order to obtain a rare metal there–but in doing so, they may have accomplished something totally unforeseen!

While we’ll have to wait and see exactly what Waid means, Simonson touched on revisiting the world of Thor and how he goes about tackling the Hulk:

It’s been interesting drawing Thor and not writing him. (laughs) I like what Mark’s been asking me to draw a lot, and he has kindly allowed me to kibitz a little. My earliest work on Thor was done pretty much the same way when I did layouts for Len Wein to write on the Thor title in the 70s. I also got to draw Thor in some of the Brian Bendis Avengers recently. I’ve found it’s been a lot of fun for me to go back and revisit the old boy again.

Regarding the drawing the Hulk and Thor, there’s an essential difference in their natures I try to reflect in the figure work.
I’ve approached drawing the Hulk with a certain ‘wildness’, since he is essentially a ‘monster’ who is the unfettered version of a mortal. The shapes that make up his figure as well as the actual lines used to define those shapes can be far less restrained that they might otherwise be for a more ordinary character. In other words, the drawing technique itself is meant to suggest the limitless quality of the Hulk’s fury and power. And because of his ‘monstrous’ nature, the Hulk’s figure and face don’t require the kind of symmetry that a character like Thor needs in order to be handsome within the context of the comic. I’m also inspired by the earliest versions of the Hulk by Jack Kirby and Steve Ditko where there seems to me to have been a nod to the Karloff Frankenstein monster of the early Universal horror films. All of which means I can pack a lot into my drawings to try to capture some reflection of the Hulk’s wild nature.

If you want to check out the full interview with Waid and Simonson click here. It will be exciting to see Simonson taking on Thor again. The artist did some incredibly work with the thunder god back in the day, so having him return to draw again mixed in with it being a Hulk book makes this a must get. What do you think about Simonson’s return? From what Mark Waid said do you think we’ll get a big twist with the Thor story?

Cody "The Thorverine" Ferrell, Waid And Simonson Talk Indestructible Hulk

Ralph is a very simple movie at heart, but has plenty of deeper messages.  Kids will see what they want, and so will adults.  Kids will see a man who thinks he is bad be a good person.  Adults will see a complex film about heroes and their somewhat ambiguous morality.  It’s amazing how easily the movie balances these two extremes.  Never does the audience feel like these plot twists are forced or shoved in for the sake of it.  Everything feels natural for the story.  The plot does a great job of giving the audience to care for each and every character.  Even a character like King Candy, who turns out to be a villain for the movie.  The rules of the world are also stated nicely.  The audience doesn’t have to sit through some long exposition scene about how and why they game jump.  The rules are brought up naturally, or in a funny way.

Yes, there are video game references a plenty.  They go from obscure arcade games like Tappers, to main stream characters like Sonic.  The majority of Ralph takes place in a Mario Kart knock off, with plenty of jokes at that series.  It should take a couple viewings to get all of the hints and nods to games.  While many movies have tried to have their setting be a video game, none have succeeded.  But Ralph soars in this setting.  It’s clear the creators have a love for video games, and know what they are about.  There are plenty of jokes at modern and classic video games, but there is a respect behind those jokes.

The special effects are on the same level of Pixar.  8-bit characters move in quick motions, as they would when playing the game.  If something in an 8-bit game splashes, the puddles are squares.  It’s a small thing, but goes a long way to help sell the world that these characters are in.  Another big thing is having every character react as they would in their game.  On a small scale, this is to be expected.  But when there is a huge scene, filled with hundreds of characters, every character acts accordingly.  Sonic is in the background of one of these scenes, and we see him get hit with debris.  Naturally, he starts blinking and shoots out coins.  He was so far in the background, I almost missed it.

Wreck-It Ralph isn’t perfect though.  While the writing is great in most scenes, occasionally the writing gets a little on the nose with their message.  The movie treads the line well of adult and kid content, but the script creeps into preachy territory every so often.  It’s jarring, considering there are a few scenes that are quite dark emotionally, and filled with subtlety.  Then we go to a scene that lays everything out on the table.  It doesn’t ruin the movie by any means, but it could have been changed.

The voice actors create a great team.  No one steals the show, but they all work together to create a better movie.  John C. Riley makes Ralph lovable, and instantly the audience feels for the guy.  Sarah Silverman makes Vanellope annoying as hell, then the audience’s heart just breaks for her.  Her voice is one of the few who can’t be picked out right away.  Jane Lynch plays the tough as nails commander well, in a tongue-in-cheek fashion.  Jack McBryer was hysterical as Fix It Felix.  But the biggest surprise was that Alan Tudyk played King Candy.  He sounds nothing like Tudyk’s normal voice.  And as I have always said, “Putting Alan Tudyk in your movie ALWAYS makes it better.”

If Wreck-It Ralph proves one thing, it’s that kids don’t need a movie that coddles them.  Ralph deals with some heavy emotions that are accentuated by some perfectly voiced scenes.  It seemed almost un-Disney to have these characters so sad.  But it works.  Kids loved the movie, and many were screaming that they wanted to see it again.

Wreck-It Ralph gets 4/5.

MrComicBook, Wreck-It Ralph Review

Andrew Chambliss writes the effect of change on Buffy well.  It’s clear that Buffy is having a hard time growing up, while the world she knows is growing up around her.  Chambliss does this especially well when Buffy is watching a cop dust a vamp. It’s something that hits Buffy to the core, and Chambliss writes the next scene well.  Her somewhat of a crush with the Detective finally has it’s first genuine moment.  It’s fine to bring in a new love interest, but the Detective hasn’t been established well, or even developed for that matter.  We do have half a season left, so this could happen.  But for now, all we know about him is that he has a crush on Buffy, and recently lost his partner.  The compound that the Slayers live in is very similar to the army that Buffy started, which makes this plot point slightly lazy.

The new direction of having Buffy become a body guard is an inspired idea.  It works well in the development of Buffy.  The opening is humorous, and Kennedy’s speech about why it’s the best thing for her is perfectly written.  But there is one thing that left me bothered by the end…..how they hell did we get here?  When #10 ended, we were in the coffee shop and we saw Buffy quitting her job.  #11 starts, and she already has her job as a bodyguard. I read the first few scenes, then ran over to my long boxes to grab #10.  I couldn’t figure out if I had missed something or not.  It’s a stylistic choice, and one that some might not mind.  But as someone who reads a lot of comics each month, these leaps of continuity can be a pain in the ass.

The addition of Wolfram & Hart is nice addition to making this family of books feel more cohesive.  Angel & Faith has talked about Buffy and what has been going on with her, but we haven’t seen much here.  The same could be said with Spike being gone.  It makes long time fans excited for the future.

Georges Jeanty returns this month on art, and his art has never been better.  The three months off gave Jeanty plenty of time to work on the faces, which look closer to their actor counterparts.  There are many close ups of Buffy, and she looks as close to Sarah Michelle Gellar as she ever has.  One of his bigger problems is facial details on characters that somewhat enter the background.  Not a problem here.  The quick action scene in the beginning works better than the few we have seen so far this season.  Jeanty’s action scenes can seem stiff and action figure life.  One panel sadly suffers from this, but the rest has a slight sense of motion to it.  Buffy’s reaction after being shot at was one of the better facial expressions of this issue.

Buffy the Vampire Slayer Season 9 #11 gets 3.5/5.

MrComicBook, Buffy the Vampire Slayer Season 9 #11 Review