Now, I understand this isn’t the most geeky thing to be highlighting, but when I’m not slaving away for the militant owner of this site, I’m slobbering and drooling over vehicles that I wish to someday own. Not to mention, some of these vehicles have graced the pages of our beloved comics in the past. As with many of the lists you’ll see me post, these are in no particular order. How do you put a level of awesomeness on these things, really?

A-Team G15 Van
1983 GMC Vandura
Van/Minibus
5.2 Liter V-8
When you think of a group of bad-asses, the A-Team should be at the top of your list. If it isn’t, please leave your man-card on the table as you escort yourself out of the building. This team, which consisted of H.M. Murdock, B.A. Baracas, Hannibal Smith and Templeton “Faceman” Peck, used this van for many things, anything from an every day vehicle to a battering ram to a  full-on assault vehicle. But no matter what, this beast made it through everything. The van was revived for Joe Carnahan’s film adaptation and fans couldn’t help but giggle a little bit when the van made its appearance.

Supernatural “Baby”
1967 Chevy Impala
Sedan
V8 427 4 Barrel
While my opinion of Supernatural  has changed over the years, one thing that remains the same is my love for this classic American car. This vehicle makes me happy in ways an inanimate object should. The sound of the metal doors creaking as they open and close, the rumble of the exhaust and the simplistic back paint, what’s not to love? At the end of season five, Chuck sums things up nicely by  calling the Impala “the most important object in the universe.” The classic rock soundtrack that is always present on the show never hurts either. This is a classic car for a pair of brothers that do what “Murica” does best: kick ass!

Starsky & Hutch Torino
1975-1976 Ford Gran Torino
Coupe
351 Windsor V-8 4 Barrel
The paint job is just as iconic as the car itself. When one sees this classic look on a car, only one show (or movie for the younger crowd) comes to mind: Starsky & Hutch. While the car may not have been the biggest and baddest muscle car ever made, you wouldn’t know by looking back at the series. Originally, a Chevy Camaro was to be the car of choice, as show creator William Blinn fondly remembered his convertible he owned. But being that the leasing program was through Ford, they opted for a Ford Gran Torino, which featured the famed 351 Windsor V8 engine and the now iconic red and white paint theme. The rest, as they say, is history. Talk about a good move!

Classic Batmobile
1955 Lincoln Futura Concept
Modified
351 V8
You didn’t think I’d make a list like this and not include this car, right? Despite it being over 50 years old, this car is still considered to be among the top Batman vehicles ever, movies, TV or comics; not to mention of any famous vehicles…ever. Hence its inclusion here. The car cost a whopping $125,000, which doesn’t sound like much for a fully custom vehicle, but if you factor in inflation, you’d be looking at a vehicle with a value of about $2 million today. Everything about this car is custom made, including the “bing bong” warning bell and the sender/receiver computer in the trunk.

Dukes of Hazzard General Lee
1969 Dodge Charger
Coupe
318, 383, & 440 CID V8 big block (Varied depending on use)
When I was a kid, nothing impressed me more than seeing Bo and Luke Duke racing to the General Lee, sliding across the hood and climbing through the window to head off on a back-country, high speed chase. I wanted to be a Duke more than anything. To this day, whenever I see an old Charger, I can’t help but smile. Fun fact: anywhere from 250 to 300 Dodge Chargers were used- and wrecked- during the taping of The Dukes of Hazzard. They often times would recycle parts to fix some of the cars up to reuse them. Even more cop cars were damaged during film. Sadly, whenever this car makes appearances now, the Confederate flag that is featured on the roof will no longer be used.

Green Hornet Black Beauty
1966 Chrysler Crown Imperial
Sedan
440-C.I. V8
You want to talk assault vehicle? The Chrysler Imperial that was used for Black Beauty not only had a drastically modified exterior, but the gizmos and weapons that were included make the Batmobile look like a Barbie Power Wheel. The car was able to launch rockets via tubes below the headlights, a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grill, and the capabilities to launch a video surveillance device- or scanner- from a hidden compartment. Just to name a few things. The car featured a one-of-a-kind paint job that included 30 layers of black paint. For the 2011 remake, the car kept to the same concept, but upped the ante and was easily the highlight of the film.

Knight Rider KITT
1982 Pontiac Trans Am
Coupe
5.0L V8
Before David Hasselhoff was running around in little red shorts, he was behind the wheel of this super smart, ultra computerized Trans Am. KITT, which stands for Knight Industries Two Thousand), has literally dozens of high-tech upgrades: turbo boost, Etymotic Equalizer (he could hear), Olfactory Sensor (he could smell), Silent Mode, Oil Jets/Smoke Screen, Flame Thrower and Ultramagnesium Charges. That list could go on for some time, but I’ll hold off on the awesomeness. Take all that and drop it into one of the most iconic cars of the 80′s (it’s still quite popular among folks with a mullet and have a hankerin’ for pork rinds) and you have yourself a pretty bad-ass whip.

Magnum, PI Ferrari
1977 Ferrari 308 GTS
Targa Coupe
2.9 L FI V8
When you mention the classic series Magnum, PI, most people will remember Tom Selleck’s luscious push-broom mustache or his ridiculously short shorts. But not me. What I remember most is that bright red, targa-topped Ferrari 308, a car that some enthusiasts to be among the most beautiful cars that the Italian automaker has ever produced. I couldn’t agree more. This care was able to bring down the fastest of getaway cars and looked damn good doing it. This thing is about 14 levels of pure awesomeness.

I have to list a few honorable mentions, as they are just too cool to leave off, so I have to at least give them a bit of love:
19986 Ferrari Testarossas from Miami Vice
1976 Austin Mini from Mr. Bean
1980 GMC Pick-up from The Fall Guy
Th Munster Koach from The Munsters
The Mystery Machine from Scooby Doo

What are your favorite cars from television? I know there are some that I missed, but the important ones are here and I’d be more than happy to take anyone of these home. Now if I only had someone to buy them for me…

Josh "ecksmanfan" Johnson, Top 8 Vehicles of Television

Marvel is pleased to present your first look at the explosive first issue of Age Of Ultron #1! This March, enter the darkest days of the Marvel Universe as it’s heroes fight for from the blockbuster creative team of Brian Michael Bendis (All New X-Men, Avengers VS. X-Men) and Bryan Hitch (Ultimates, Fantastic Four). Evil has triumphed over good and leading this new age is none other than Ultron, the deadly sentient robot created by founding Avenger Hank Pym who turned on his creator to achieve his twisted objective…the utter destruction of humanity. Now, it’s up to the few remaining heroes to band together and find any way to topple their new monarch. Can Wolverine, Emma Frost, Invisible Woman, Taskmaster, Beast, She-Hulk, Luke Cage, Spider-Man, and Moon Knight turn the tide?

With the robotic revolution in full force, no fan can miss how Age of Ultron will ultimately change the Marvel Universe leaving no hero or villain unscathed! So what are you waiting for? Head on over to your local comic shop and reserve a copy of Age of Ultron #1, featuring a unique cover with foil treatment and design at no extra cost. Fans have been demanding to know more about Age of Ultron since Free Comic Book Day last year, and come March- some of those questions and more (including an ending nobody will see coming) will be answered in Age of Ultron!

Cody "The Thorverine" Ferrell, Blast From The Past: Marvel Bringing Back The Gold Foil Cover For Age Of Ultron

Ralph is a very simple movie at heart, but has plenty of deeper messages.  Kids will see what they want, and so will adults.  Kids will see a man who thinks he is bad be a good person.  Adults will see a complex film about heroes and their somewhat ambiguous morality.  It’s amazing how easily the movie balances these two extremes.  Never does the audience feel like these plot twists are forced or shoved in for the sake of it.  Everything feels natural for the story.  The plot does a great job of giving the audience to care for each and every character.  Even a character like King Candy, who turns out to be a villain for the movie.  The rules of the world are also stated nicely.  The audience doesn’t have to sit through some long exposition scene about how and why they game jump.  The rules are brought up naturally, or in a funny way.

Yes, there are video game references a plenty.  They go from obscure arcade games like Tappers, to main stream characters like Sonic.  The majority of Ralph takes place in a Mario Kart knock off, with plenty of jokes at that series.  It should take a couple viewings to get all of the hints and nods to games.  While many movies have tried to have their setting be a video game, none have succeeded.  But Ralph soars in this setting.  It’s clear the creators have a love for video games, and know what they are about.  There are plenty of jokes at modern and classic video games, but there is a respect behind those jokes.

The special effects are on the same level of Pixar.  8-bit characters move in quick motions, as they would when playing the game.  If something in an 8-bit game splashes, the puddles are squares.  It’s a small thing, but goes a long way to help sell the world that these characters are in.  Another big thing is having every character react as they would in their game.  On a small scale, this is to be expected.  But when there is a huge scene, filled with hundreds of characters, every character acts accordingly.  Sonic is in the background of one of these scenes, and we see him get hit with debris.  Naturally, he starts blinking and shoots out coins.  He was so far in the background, I almost missed it.

Wreck-It Ralph isn’t perfect though.  While the writing is great in most scenes, occasionally the writing gets a little on the nose with their message.  The movie treads the line well of adult and kid content, but the script creeps into preachy territory every so often.  It’s jarring, considering there are a few scenes that are quite dark emotionally, and filled with subtlety.  Then we go to a scene that lays everything out on the table.  It doesn’t ruin the movie by any means, but it could have been changed.

The voice actors create a great team.  No one steals the show, but they all work together to create a better movie.  John C. Riley makes Ralph lovable, and instantly the audience feels for the guy.  Sarah Silverman makes Vanellope annoying as hell, then the audience’s heart just breaks for her.  Her voice is one of the few who can’t be picked out right away.  Jane Lynch plays the tough as nails commander well, in a tongue-in-cheek fashion.  Jack McBryer was hysterical as Fix It Felix.  But the biggest surprise was that Alan Tudyk played King Candy.  He sounds nothing like Tudyk’s normal voice.  And as I have always said, “Putting Alan Tudyk in your movie ALWAYS makes it better.”

If Wreck-It Ralph proves one thing, it’s that kids don’t need a movie that coddles them.  Ralph deals with some heavy emotions that are accentuated by some perfectly voiced scenes.  It seemed almost un-Disney to have these characters so sad.  But it works.  Kids loved the movie, and many were screaming that they wanted to see it again.

Wreck-It Ralph gets 4/5.

MrComicBook, Wreck-It Ralph Review

A sad day indeed. Captain America co-creator Joe Simon has passed away in New York City on December 14, 2011, after a brief illness. The comics legend created and co-created many important characters in the 1930s-1940s Golden Age of Comic Books and served as the first editor of Timely Comics, the company that would evolve into Marvel Comics. One of his most iconic creations was the sentinel of liberty Captain America, which he co -created with Jack Kirby.  Simon was inducted  in the Will Eisner Comic Book Hall of Fame, on 1999.

Marvel remembers Joe and posted this on their website:

Newsprint flowed through Simon’s veins early in life as the newspapers provided the young artist-writer with his first, real job experience and avenues for future creative growth. Born and raised in Rochester, New York, he first worked on his high school newspaper as its art director, then graduated to several real-world papers. There, Simon handled not only production assignments, but also provided editorial cartoons throughout the 1930s.

Eventually drifting into freelance work, the young Simon found his way into the industry that he’d make his most important mark on when he went to work for Funnies, Inc., a company that provided comic stories to other publishers. There he created his first super hero, the Fiery Mask for Marvel’s predecessor Timely Comics, and met a fellow creator, one Jack Kirby.

Simon and Kirby hit it off and soon became an inseparable creative duo. Simon’s sense of business and design coupled with Kirby’s raw drawing talent created a team that could take on the world. After a few introductory comic book gigs together, the two young men made their way to Timely and there began to build what would become one of their signature creations: Captain America, the Sentinel of Liberty.

In more recent times, Simon thrilled to seeing his creation Captain America finally take his place among other Marvel heroes on the silver screen in 2011’s “Captain America: The First Avenger” feature film. It stands as a proud moment that rounded out a lengthy and important career for the trail-blazing Joe Simon.

In the 2000s, Simon turned to painting and marketing reproductions of his early comic book covers. He appeared in various news media in 2007 in response to Marvel Comics’ announced “death” of Captain America in Captain America vol. 5, #25 (March 2007), stating, “It’s a hell of a time for him to go. We really need him now”.

Well, thanks Mr. Simon for giving us such wonderful characters and for leading the way to many, many artists and creators.

Both pioneers passed away this month

Agent Burgos, Thank You Joe Simon (10/11/1913 -12/14/11)

ZenithWillRule, Media Meltdown Interviews Adam Rosner Creator Of Tribe Twelve

Who is excited about this?!

IMAGE EXPO is a three-day celebration of creator-owned comics happening at the Oakland Convention Center. Image partners Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri, and Jim Valentino, will be the guests of honor, appearing throughout the weekend for signings, panels, and special events. Other special guests include Image founders Rob Liefeld, and Whilce Portacio, plus the creators of today’s best creator-owned comics, including: Joe Casey, Jay Faerber, Jonathan Hickman, Ryan Ottley, Richard Starkings, Fiona Staples, and Brian K. Vaughan.

IMAGE EXPO is Northern California’s premiere comic con experience in 2012. The three-day event takes place at the Oakland Convention Center in the heart of the bustling nightlife and restaurant center of downtown Oakland, CA on February 24-25-26.

IMAGE EXPO isn’t just about Image Comics, it’s a celebration of independent creativity in comics. The exhibit floor is open to anyone who makes creator-owned comics. We’re also going to be hosting unique programming for fans, aspiring creators, and library professionals. We’ll be continuing our tradition of supporting the Comic Book Legal Defense Fund‘s important work to protect creators and retailers by hosting special events including a massive benefit auction.

Get in on the ground floor and sign up for your exhibitor or artist alley space today! Contact info@ImageComicExpo.com for more information about the show and how to sign up to exhibit.

Agent Burgos, EXPERIENCE CREATIVITY AT IMAGE EXPO: A 3-DAY CELEBRATION OF CREATOR OWNED COMICS!